The opportunity to offer criticism comes with undeserved power. As a critic, we put ourselves above the artist, providing our authoritative opinion on the artists work. The thing is, that’s not what every writer needs to hear.
Looking for an opportunity to reveal a character’s true feelings? Need a place where a character can realistically tell the world how they feel in a monologue? Want to give characters an opportunity to discuss what is coming next in your plot?
Funerals provide an excellent setting for all these moments and more.
I know what a friend looks like. Friends are there to support you when you need them. If you call in desperation, they come over. If you need a laugh, they crack a joke. If you’re down, they give a helping hand.
I’ve concluded that the Muses are not my friends.
The advice “write what you know” can be disheartening. If you’re like me, you probably feel like you don’t “know” much. How can we write what we know if what we know has been mundane and ordinary?
I’ve got good news for you. You know more than you think.
We all know that transforming characters and a driving plot make for great stories. Something we discuss less is how contrasting ideals—and the conflict they create—can also enrich a story.
This week in the United States we will be celebrating the signing of our Declaration of Independence in 1776. Thinking on the ideal of independence has had me pondering how philosophical convictions play a role in our stories. If used well, they can enhance the narrative allowing the story to transcend the characters and become something more.