Is a Famous Writer Better than a Great One?

Hands by Joe Bunting

Today, I’m launching my new story, “Hands.”*

Does the fact that Steig Larson’s sold more books than War and Peace mean Larson is a better author?

Does the fact that more people have read Twilight than have read Mark Twain mean Stephenie Meyer is a better writer?

More important for us, does the fact that we are all less known than E.L. James (as far as I know) mean our stories aren’t as good?

My New Short Story

Today, I’m officially releasing my new short story, “Hands,” on Amazon. You can get the story here.* One of my favorite things in the world is to share a piece of my writing for the first time. I love this story, and I’m proud to offer it to you. I think you’ll like it.

No, this story probably won’t sell as many copies as Twilight, but does that make Stephenie Meyer a better writer than me?

Here’s the truth: It doesn’t matter. It makes no difference whether Larson or Meyer or James are better or worse than I am. I get to write. I get to share my stories with the world. That’s enough.

Competition Versus Connection

I’m a competitive person, and the thought of selling a lot of copies of my books intrigues me. But more than being a famous writer or even a great writer, I’m interested in writing stories that connect with my readers. As Robert McKee says, “Your goal must be a good story well told.”

When I focus too much on being better than other writers, I end up writing poorly. When I focus on connecting more—with my characters, with my setting, with my story, and with my readers—I write better.

Which are you focused on: competition or connection?

PRACTICE

Write to connect:

  • Connect with your characters
  • With your setting
  • With your story
  • With your readers

Free write for fifteen minutes while focussing on connection. When you’re finished, post your practice in the comments section. And if you post, please be sure to comment on the posts of a few other writers.

Have fun!

*By purchasing the book from this link, you do a little bit to help support The Write Practice. Thanks!

About the Author

Joe Bunting (@joebunting)

Joe is a ghostwriter, editor, and an aspiring fiction author. He writes and edits books that change lives. Follow him on Facebook and Twitter.

  • http://twitter.com/WattsLK Laura Watts

    Hi Joe,
    I think it’s good to study other best selling authors to see why they’re so successful but after picking up tips, you need to focus on developing your own style. This means working hard on finding your own writing formula, one that works for you. You’re always going to fail if you try to copy someone ele’s way of writing.

    • http://joebunting.com Joe Bunting

      Agreed, Laura. Well said.

  • Ty Roper

    Excellent post, Thank you!

  • http://www.facebook.com/stephen.beard.509 Stephen Beard

    Being published, paid well, and famous has nothing to do with being a good writer. I myself know people who are excellent at the craft, and have nothing to show for it but the praise and admiration of their friends. The unexpected has much more to do with, for example, Steig Larsson’s success than the quality of his writing.

  • Steve Stretton

    Joe, I enjoyed the story. I like the way it just flows.

  • Jagoda

    As I sat here listening to jazz saxophone while reading about what your story is about, I knew I had to buy it. So I did and very much look forward to reading it. I will connect with you further by reading you.

  • J.Sclafani

    To be or not to be, a famous or great writer?

    One implies well known, while the other implies quality.

    Here is my conundrum, and I am sure I am not alone, even if we substitute the author’s name with another: I can’t stand anything by Hemingway.

    I feel he is grossly overrated as a writer.

    Now clearly, decades worth of Hemingway fans will differ with me.

    But in truth, you will learn that not everyone thinks he is a great writer.

    What is not arguable, is that he definitely was a famous one.

    Is he both famous and great? It seems so, despite how I might feel.

    My personal feeling about writing is that enjoying a writer and their style is a subjective thing.

    Some of the best books I have read, are by authors that never made the bestseller list.

    There is a saying and I don’t quite have it verbatim, but it goes something like this:

    “How quiet the forest would be, if only the best birds sang”

    I think this applies to people who sing right on down to people who write.

    Think of all we would miss, if * only* the elite- the cream of the crop-in any artistic endeavor, were permitted to offer up their work for us to enjoy.

  • http://www.SamJolman.com/ Sam Jolman

    Thanks for this little piece of wisdom. Such a helpful change in perspective.

    • http://joebunting.com Joe Bunting

      You’re welcome, Sam. Thanks for reading.

  • Steve Stretton

    Focus on connection, he says. But what is connection? I have enough trouble connecting with people, how do I connect with my characters and readers? I suppose I connect with the latter by writing a story I think they will want to read. As for setting, how does one connect with an intangible thing like that? I have more questions than answers, is that a way of connecting? And connecting with the story, how does one connect or engage with a story? Is it just by writing it, or is there more to it than that?

    I presume there is a lot more to it than that, or the topic would not have come up. So how do I connect with this? Do I keep writing endless questions, or do I actually attempt to answer them also? I can’t decide just yet. It’s an odd idea, to connect with a story, like screwing two ends of a pipe together. Then I guess the ends are the beginning and the end, while the connecting is done by the middle, which is almost too obvious. There must be more to it than that.

    So here I sit trying to connect to my readers. The beginning is set. The middle is almost complete. There is only the unfinished end. How do I know when the connection is done? Is it ever done? Or is this an ongoing process that never finishes? Yet a connection is a complete thing. We are connected I assume when I post this, or does the connection come later?

    Who knows? I hope this connects with someone out there. It’s all a bit trite but that is part of the glue that binds us all. It’s not very strong in most cases, but it holds us together nonetheless.

  • themagicviolinist

    I always write whatever I like to read rather than what everyone else likes to read. If I can’t enjoy my own writing how can anyone else can?

    Am I alive? I feel alive. But does that mean that I am alive?
    Yes. I am most certainly, positively alive.
    Unbelievable.
    Absolutely unbelievable.
    I almost laugh out loud with relief before remembering that that could give away my position.
    Did I seriously escape that prison with barely more than a scratch?
    Unbelievable.
    The odds were most definitely against me. My death sentence was set for the very next day and I was sent to the high-security prison cell.
    So how in the world did I escape?
    Wit.
    Yes, that’s right. I used pure intelligence and wit to get out of that prison.
    It was very simple, actually. Two armed guards stood next to my prison, yawning and looking extremely bored. I complained that my stomach was growling. They ignored me. I kept moaning and groaning until one of them finally rolled his eyes and went to get some moldy bread. I waited until the guard rounded the corner before complaining to the other guard that I was thirsty. He told me to shut up. I argued that a prisoner still had some rights and that one of those rights was to stay hydrated. He, too, rolled his eyes and left. Once they were both out of sight I used my skinny body to my advantage. I squeezed through the bars while sucking in my breath.
    Then I ran for it.
    I ran as if my life depended on it. Which it did. The guards did notice, but I was able to sprint past them and through the open door. I ran barefoot into the woods, sweat pouring down my face and jagged rocks ripping the skin from the bottom of my feet open. I made it into the woods and didn’t look back. I leaped into the creek and climbed out the other side, searching for some cover. I dove into a cluster of bushes. The guards finally caught up and ran right past me, cursing and yelling at each other.

    Ten fingers, ten toes.
    Two eyes and one nose.
    In the prison everyone knows,
    That one chop and off they go!

    The guards in the prison used to whistle, hum, and sing that infuriating rhyme around the prisoners to scare them.
    Ha! I showed them!

    • themagicviolinist

      BTW, I will most definitely buy the story. ;)

    • http://twitter.com/JewelsCat Giulia Esposito

      This is fun!

      • themagicviolinist

        Thanks! :D

    • Steve Stretton

      True, we must enjoy our own writing, if only to sustain it. Liked the little rhyme at the end, very macabre.

      • themagicviolinist

        Thanks! That rhyme just sort of popped into my head. I was a little grossed out that my brain was capable of thinking of something like that.

    • Paul Owen

      Great reading – loved the part about not laughing out loud because it could give away your position.

      • themagicviolinist

        Thanks!

  • Guest

    I went for the connection pathetic fallacy gives. I hope that comes across:

    It was so dark outside that the massive windows merely reflected his own face back at him. He wasn’t really looking at anything other than himself, in any case. He took in the pale complexion and the slight movement of the skin under his right eye. It had been twitching on and off for the last few hours. He pinched his cheeks and rubbed them to give himself an artificial healthy glow. He looked at his hair for the hundredth time and moved a strand a minuscule amount higher on his forehead. Better. Only his fringe was showing under his beanie hat and the peak of dark hair was slicked with grooming product. He flicked open his mobile again but the unwelcome sight of an empty screen made the knot in his stomach more apparent.

    He lent forward and cupped a hand around his eye and pressed his hand onto the cold glass. Nothing but the orange glow bouncing off the slicks of water pooled on the Tarmac of the car park. He looked back at the Formica table and the coated cardboard cup, beads of water still clustered on the straw which was poking up. He daren’t eat before she arrived, that would spoil the date. The faint tap on the window startled him slightly and he twisted round to see splats of rain starting once again to smear the windows. His fists had made a ball. Now she wouldn’t want him to walk her home, she’d definitely just phone for her dad to pick her up, no chance of a hasty kiss.

    Then the buzz. He fumbled with the phone case. Finally, she’d be on her way. The knot in his stomach blossomed and burned and his throat went dry. He fought back tears of anger and humiliation as he snapped back the phone case and stared out through his own warped reflection into the wet bleakness of the night beyond the windows.

  • Guest

    The connection I went for is pathetic fallacy. I hope it comes across:

    It was so dark outside that the massive windows merely reflected his own face back at him. He wasn’t really looking at anything other than himself, in any case. He took in the pale complexion and the slight movement of the skin under his right eye. It had been twitching on and off for the last few hours. He pinched his cheeks and rubbed them to give himself an artificial healthy glow. He looked at his hair for the hundredth time and moved a strand a minuscule amount higher on his forehead. Better. Only his fringe was showing under his beanie hat and the peak of dark hair was slicked with grooming product. He flicked open his mobile again but the unwelcome sight of an empty screen made the knot in his stomach more apparent.

    He lent forward and cupped a hand around his eye and pressed his hand onto the cold glass. Nothing but the orange glow bouncing off the slicks of water pooled on the Tarmac of the car park. He looked back at the Formica table and the coated cardboard cup, beads of water still clustered on the straw which was poking up. He daren’t eat before she arrived, that would spoil the date. The faint tap on the window startled him slightly and he twisted round to see splats of rain starting once again to smear the windows. His fists had made a ball. Now she wouldn’t want him to walk her home, she’d definitely just phone for her dad to pick her up, no chance of a hasty kiss.

    Then the buzz. He fumbled with the phone case. Finally, she’d be on her way. The knot in his stomach blossomed and burned and his throat went dry. He fought back tears of anger and humiliation as he snapped back the phone case and stared out through his own warped reflection into the wet bleakness of the night beyond the windows.

    Time up.
    Inspiration: I wanted to have a go at pathetic fallacy. Connecting the emotions of the character to their surroundings.as so dark outside that the massive windows merely reflected his own face back at him. He wasn’t really looking at anything other than himself, in any case. He took in the pale complexion and the slight movement of the skin under his right eye. It had been twitching on and off for the last few hours. He pinched his cheeks and rubbed them to give himself an artificial healthy glow. He looked at his hair for the hundredth time and moved a strand a minuscule amount higher on his forehead. Better. Only his fringe was showing under his beanie hat and the peak of dark hair was slicked with grooming product. He flicked open his mobile again but the unwelcome sight of an empty screen made the knot in his stomach more apparent.

    He lent forward and cupped a hand around his eye and pressed his hand onto the cold glass. Nothing but the orange glow bouncing off the slicks of water pooled on the Tarmac of the car park. He looked back at the Formica table and the coated cardboard cup, beads of water still clustered on the straw which was poking up. He daren’t eat before she arrived, that would spoil the date. The faint tap on the window startled him slightly and he twisted round to see splats of rain starting once again to smear the windows. His fists had made a ball. Now she wouldn’t want him to walk her home, she’d definitely just phone for her dad to pick her up, no chance of a hasty kiss.

    Then the buzz. He fumbled with the phone case. Finally, she’d be on her way. The knot in his stomach blossomed and burned and his throat went dry. He fought back tears of anger and humiliation as he snapped back the phone case and stared out through his own warped reflection into the wet bleakness of the night beyond the windows.

  • Claudia Mundell

    Hi, Joe. I just ordered your story. I love the idea of buying a story at a time, a good way to support writers.I have a story in an ebook but it is a romance, limited market I am sure. I am no good at self-promoting but I would like to ask you to read my blog page on this very subject. Trying to be brave about connecting–not just characters but with other writers. So:
    http://claudiapage-bookie.blogspot.com/2013/02/shameless-self-promotion.html

  • http://twitter.com/thewestwightway KellyDaniel

    As your own late president Roosevelt said, ‘comparison is the thief of joy’

    • http://joebunting.com Joe Bunting

      Amen.

  • Eva Rose

    Congratulations Joe! It’s a great story, great cover art, strong character image and surely will connect with seniors. Or anyone who loves music. Connection beats competition any day.

    • http://joebunting.com Joe Bunting

      Thank you so much, Eva!

  • http://twitter.com/JewelsCat Giulia Esposito

    Lately I’ve been experiencing some writer’s block. I couldn’t write because I knew my story had veered away from its core somehow. So I needed to hear this today about connectedness. I needed to hear that. Thanks Joe.

    My Practice:

    As Emily tells me about her night with Sandra, I feel suddenly insecure. As though I’m losing Emily to her old life. To the life she had before me. And even though I feel lame because that’s just plain dumb, even though I tell myself I’m being a sap, I have to wonder when the hell I started caring.

    Not about Emily. It doesn’t matter when I started caring about Emily because I just do. She matters, and that’s all I need to know. But I wondered when I started caring about everything else. About her friends, her parents, how they’ll react to us, to me. I’ve never cared about that before because I’ve always just shrugged that stuff of as supremely unimportant. But I’m suddenly wondering if maybe I did that because really it was important. Which makes no sense at all. But I’m haunted by thoughts like, do Emily and I fit together? Will she distance herself if others think we don’t?

    Crap like that. When all I should care about is, Is Emily ready?

    But I’m not worried about that right now because I know the answer to that question. She’s not yet. She’s only starting to get her life together now. And while she’s figuring stuff out, I know that no matter how long it takes, I’ll stand by her. I’ll wait. But what worries me is, what if I wait, and she’s never ready to be to be with me because they think shouldn’t be? I find that I can’t stand the thought that
    Emily might pull away from me because of what other people might think. And
    we’ve known each other only a short time, a span of five or six weeks now, and
    she’s agonized over her choices because she’s afraid of what her parents will
    take. What will Dr. Conners think of me, the goth king? I doubt I’m sort that
    Emily has brought home before.

    I push these thoughts away. She’s not bringing me home like that, I think. We’re only still just friends, no matter that both of us want more. In fact, I point out to myself in an effort to retain my stoic cool, she’s not bringing me home at all. She’s just telling me about her day.

    • Marla4

      I like this character. It made me want to know more. I like the insecurity of the beginning of a relationship, when you’re still trying to figure things out. What is it? Will it work.

      • http://twitter.com/JewelsCat Giulia Esposito

        Thanks Marla!

    • mariannehvest

      I particularly like the part here where you say “I wondered when I started caring about everything else” . That makes him so vulnerable. I think you might want to say what the problem with him is at the beginning. I was trying to figure out what the problem was and then you say that she is young just getting her life started and that made me think he might be way older than her. I would probably have been more sympathetic to him from the beginning if I had know it was only a kind of high school caste that was going to make their relationship difficult.

      • http://twitter.com/JewelsCat Giulia Esposito

        Sorry, I should have mentioned this is part of a story (book?) I’m writing. They are both just fresh out of high school, and from very different walks of life. But you have a point, it’s a little unclear. Thanks for the feedback!

        • mariannehvest

          That’s okay. I really like it anyway. I was relieved that he was t really a creepy old guy

          • http://twitter.com/JewelsCat Giulia Esposito

            LOL, that he is definately NOT!

  • Rachel

    Connection. Hah. That’s like the holy
    grail of abilities. At least it seems that way to me. I’m writing
    this book. I have these characters in mind. But I’m so focused on the
    plot that I can’t seem to bring the characters alive. Or I can’t
    bring the characters alive in the setting. The connections are lost.
    It’s bad when you try to describe a scene and you can’t even see it.
    It’s like you’re looking through steam-covered glasses. You see vague
    shapes and you have a rough map in your head of where you’re going,
    but in reality, you’re blind and lost. You’re most probably going to
    run into something at some point. The safest idea is to just stop
    until things clear.

    But then there’s that thing about
    time. It just ticks away. Do you have the time to stop? Does it
    matter when you can’t see where you’re going or who you’re talking
    to? It’s a conundrum, a very frustrating one. So, what do I do? I sit
    down and stare at a blank screen. I think about the character I want
    to bring to life. I think about his passions, his past, his future
    and what he’s been through. What glasses does he look through? That’s
    a good question. That’s ultimately where I land. That’s a good
    question. What glasses does he look through. That’s be great if I
    knew. Hey, character, do you mind telling me a little bit about
    yourself? You know, nothing major. Just a few pointers here or there,
    so I can describe who you are. You need to tell me who you are before
    I can tell others who you are.

    It’s comical. I can’t take myself too
    seriously. If I did, I would cry. I would give up. I would be
    convinced that I don’t have what it takes to write characters and
    settings. I haven’t even really tackled the settings yet. In my head,
    settings are defined by the characters. After all, it’s their glasses
    you’re looking through. It’s their glasses I’m supposed to be looking
    through. Those are my glasses! But I can’t see through them. So, I
    spend ridiculous amounts of time trying to get one of my creations,
    one of my characters, to tell me who they are, as if they create
    themselves, as if I’m some random bystandard.

    Maybe that’s the problem. I try to
    control and determine. I don’t let things flow. I don’t let the
    characters come to life because I’m trying to tell them how to come
    to life. So, what would that mean? What is connection in that sense?
    What does it truly mean to connect to a character? To let go of the
    character? To let the character get on his own feet and walk under
    his own power while I sit back and watch? To hang back at a distance
    and observe? That might mean connection, at least for me. Who really
    knows? I do know I got characters and I don’t know who they are.
    That’s all I know.

    Connect. That holds a lot of meaning
    for me. I like to write science fiction. I have a hard time writing
    stories in “normal life” settings. I realize it’s because I have
    a hard time connecting with the world around me. I’ll admit. I’m a
    recluse. I keep my head down when I go to town and run my errands. I
    don’t want people to know about my life. That’s my business! But I
    love writing, even when I can’t write. And when I look for material
    to write about, I realize that the world around me is my material.
    But I’ve done such a good job shutting it out. Maybe that’s why I
    can’t create scene or character. I spend so much time pretending that
    people don’t exist, that the problems of the world are not my
    problems, that I can’t connect, can’t relate. I can’t bring it to
    life on the page. After all, the only material I have is a blank
    slate where supposedly nothing happens to people who don’t exist.

    Um, what next? I live in a beautiful
    area. I live in the mountains. Right now the world around me is white
    with random dots of color. Houses, cars, blue hillsides, and yellow
    grass. I look at it for inspiration. I can connect to this land, but
    when I try to put it into words, I lose the connection. The
    experience is beyond words. How do you take something beyond words
    and put it into words? I’m happy just sitting here, admiring the beauty.
    Now, if only the story would write itself. That’d be nice. No, I’m
    wrong. I wouldn’t enjoy that. I want to be part of the writing
    process. No, I want the world to write itself in front of my eyes,
    with my hand holding the pen. I want the scenes and the characters to
    jump out on the page and tell me their tale. I want the whole thing
    to be effortless.

    Maybe they’re trying just that. Maybe
    my characters and scenes are jumping
    out, but I’m too blind to see them. Or I refuse to see them. Perhaps
    my manner of living is so shut down that I can’t connect with
    anything, including that which is right in front of me. I can see
    this opaque wall between us. Here I am, sitting in my leather chair,
    staring at a blank screen. But it’s not a blank. It’s an opaque wall.
    And behind that wall is a party. But I can’t see it. Just because I
    can’t see it doesn’t mean it ain’t happening. I guess I should
    probably keep that in mind. You can’t connect if there’s a wall in
    your way, now can you?

    Perfect.
    Timer just went off.

    • Marla4

      This is wonderful. Your descriptions are perfect. I have the opposite problem. I just listen to my characters and don’t plot at all. So, I never know where I’m going. I might get stuck, go for a drive, stop at a convenience store and see someone with a tattoo of a snake coiling up his arm and I’ll think, Harrell Lee (the character I’m writing about) must have a tattoo like that. And then I’ll go home and attack it again. And everybody writes about the people and places they know. Even Ray Bradbury just took where he lived and put it in a magical place.

      I loved this part … “But it’s not a blank. It’s an opaque wall.
      And behind that wall is a party. But I can’t see it. Just because I
      can’t see it doesn’t mean it ain’t happening.”

    • mariannehvest

      Sometimes I think you need to actually try to be inside the character and walk though their environment. I don’t do that often but sometimes I do and it helps.

  • mariannehvest

    I’m trying to be connected to this young guy but it’s hard to do. I’m writing a story about these two young people and I am gaining a great deal of admiration for young adult authors. It’s hard to remember back to that age.

    Carl knew what his mother would say even before he told her he was going to Vanessa Hightower’s house to do homework and hangout. He had even considered telling her he was going somewhere else, but that seemed disloyal to Vanessa somehow and not the way he wanted to start a relationship. He didn’t think it out as clearly as I’ve written it because he was young, a senior in high school, and he didn’t really think much about the way he thought and felt, but he did know what his mother would say.

    “I with you’d think twice before going to that Hightower place. The Hightowers care crazy, always have been, always will be.”

    “Always have been, always will be,” he whispered to himself, not as an echo but in unison with his mother.

    “Did you just mock me boy?” she said.

    “No ma’am, I was just trying to remember what book I need to bring.”

    “Well don’t plan on carrying too many books. I need the truck so you’ll have to take the moped.”

    “Mom, the mope?”

    “That or a bike or walk, or you could go catch one of the horse and ride over there.”

    Carl pictured himself on each conveyance. He would look like a nerd on the moped but the bike was for little kids, and the horse, while probably the most romantic would have to be caught and saddled and he didn’t have time for all that. Walking was out. It was five miles to the Hightower property.

    He soon was rolling up and down the hilly gravel drive to the Hightower house. He saw Vanessa on the porch holding a big hound by the collar. It was trying to jump and twist away, whimpering and yelping, but Vanessa stood strong and tall, in charge of the situation. She was regal, he thought, constant and unshakeable.

    And what was he doing? How did he look? Like a moron he thought. He was steering the moped right down the middle of the path in order to avoid the ruts on each side. The gravel had been thinned out by rain and tires and muddy ruts ran almost a half foot deep in some places. The Hightowers weren’t know for maintaining their property well.

    • randall031

      I like the idea – and I understand the difficulty. If it was me, I’d go eavesdrop on some kids at the mall to hear how they talk.

      • mariannehvest

        Hey i did that at the pool today. They were talking about their boss. It was interesting. I felt kind of like a spy. Maybe I’ll do it again.

      • themagicviolinist

        I love eavesdropping on people. It gives me SOOOO much inspiration! :D

    • http://twitter.com/JewelsCat Giulia Esposito

      Do you read YA at all? It might help you remember what being 17 was like.

      • mariannehvest

        Thanks for the suggestion Giulia.

        • http://twitter.com/JewelsCat Giulia Esposito

          Any time!

    • Marla4

      Marianne,
      I like this boy. It’s so real when he speaks along with his mother. It sounds spot on to me. I’ve never felt those in YA novels, or adults in other novels, for that matter, sound exactly like we do. I like that they’re just a smidge off, maybe better than we speak, or at least quirkier. I did think the line She was regal … might have been a bit of a stretch for him, but then again, I haven’t heard him speak enough to know.

      Your images are always so vivid. The dog, the girl, the gate, all perfect. I hope you keep writing this. It’s already powerful.

      • mariannehvest

        Thanks Marla. I am not sure if regal is right either. I might say regal like the queen of _____ and give an example. She had to be seen as fairly dominant to begin with because of what happens in the story. I hope you will read it when it’s finished (if that every happens – four weeks on one story is too long).

        • Marla4

          I will absolutely read it!

  • Marla4

    Away

    Willem is not here. Work has taken him six states away, where
    the air is thin and stingy. He calls me at midnight, a dream has rattled his
    sleep.

    “I felt like I was hovering above myself,” Willem says. “And I
    watching myself sleep. I thought, Now, there’s a nice looking man. I liked the
    way my hair fell across my forehead. And then I got quite the chill, like I was
    seeing myself for the last time. Isn’t that a terrible dream?”

    I am not the cook in the house, or the breadwinner. My job is to
    shore Willem up, to make sense of whatever’s troubling him, to tell him what’s
    coming next. A soothsayer, my mother says, and she rolls her eyes when she
    does. She doesn’t understand me at all.

    “No,” I say, pulling my sleep mask up through my long hair,
    where it gets tangled halfway down. I look like the Lone Ranger when I sleep,
    or so Willem says. I yank, a little pain at the base of my neck where my hair
    catches.

    “Then what does it mean?” Willem asks, and I imagine him in a
    strange bed, the linens crisp, the air cold from the groaning air conditioner.

    “Let me think,” I say, and breathe out. My dog Bruno rises from
    his own bed and puts his face on my comforter. “Maybe your mirroring what the
    trainers will see in you when you go to your workshop tomorrow.”

    “I don’t think so,” Willem says. “I think it’s deeper.”

    “Do you doubt your good looks?” I ask, knowing he doesn’t. He is
    far more beautiful than me, something that used to bother me before I
    understood how fragile he is. The question gives me time to think.

    “I’m pleasant enough,” he says.

    I look at the clock. 12:04. The radio is still on. When I went
    to sleep the announcer was talking about a new website, The Tweet Hereafter,
    where famous people’s last tweets are showcased.

    “I think it has more to do with the last part,” I finally say. “The
    last image of myself. Do you think I’m in danger?”

    “No,” I say again. “I’m not feeling danger. I’m sensing a
    rebirth, like something big is going to happen, maybe even tomorrow,” I say as
    I look at the clock. “I guess I mean today, since it’s past midnight. “Anyway,
    when that happens, you’ll no longer be the Willem you are right now.”

    “Not a tragedy,” William says, and I hear a door open and then
    close. He is pacing I’m sure, opening a closet door, peering into the bathroom.

    “Of course not,” I say. “A good thing, like winning the lottery,”
    I say, and I don’t believe a word of it, but I know Willem will.

    When he comes home on Thursday, Willem is carrying a box, big
    enough for a bakery cake. He hands it over to me and kisses me on the forehead.

    Inside is a fedora, green with a yellow band. “I found this at a
    shop near the hotel,” he says. “It looks like you. The shopkeeper said it used
    to belong to Colonel Sanders, THE Colonel Sanders.”

    “The one who only wore white,” I say, and then catch myself. “Well,
    when he was plugging chicken, anyway.”

    I put it on and it falls forward at a jaunty angle. It is too
    big. Everything Willem buys me is too big. “I love it,” I say.

    He takes me to bed. Bruno rambles in, dragging a shopping bag
    Willem left in the front hallway. I turn to look at Bruno, who is ripping the
    bag open. Willem does not seem to
    notice.

    I look back at Willem, who has his eyes closed. His beauty is
    not gone, but something has escaped me. I see him the way I see Brad Pitt,
    gorgeous and ethereal, but no one I’d ever really know.

    We eat later, grilled salmon and couscous, made by Willem, who
    is wearing a sky-blue sweater, the same color as his eyes. When he is with me
    he dreams less.

    When he is asleep, I get up. Bruno follows me into the kitchen.
    The wine cooler we put in last fall shines blue in the darkness. I reach inside
    and pull out Moulton Cadet 2010 Bordeaux. Before I met Willem I couldn’t tell a
    burgundy from a Bordeaux. My old friends, who only drink Boone’s Farm, would
    laugh at me.

    We used to go dancing, these girls – Cindy and Everly and me. At
    the shadier bars, The Branding Iron, Wilmuk’s Place. We were beautiful there,
    when all it took to be beautiful was to be young and strong, and able to hold
    our liquor.

    Cindy’s husband is in prison now. Drugs. I only know because of
    Facebook. She calls him her old man, something I guess you say when your man’s
    in prison.

    I pull the Bordeaux from the cooler and set it on the table. I
    will uncork it next. I will put on my green hat and shake off my robe, so that
    all I have on is my nightgown. I will put on Lady Antebellum and dance the way
    I used to, when beauty was not felled by greater beauty. When all I needed to
    be happy was the way my body moved and the way it felt to be watched by men who
    threw back beer and dreamed dreams of deer and fish and lusty women.

    • mariannehvest

      This is wonderful as always. I thought at one point that William and the author ,were gay because of the fedora, but then I thought if it belonged to the Colonel it probably wasn’t extremely fashionable. I love the line, “We were beautiful there,when all it took to be beautiful was to be young and strong, and able to hold our liquor.” I think most of us, as we grow older, think about that sometimes, about our splendid youth. I wish I had spent more of my glory days writing and less strutting around. I also like the part where she sees him like Brad Pitt, beautiful but not someone she would ever know. I love, love, love the idea of “last tweets”. They could probably base a TV show on that.

      • Marla4

        Thanks Marianne. I keep getting these images of married couples, not quite happy but not ready to call it quits. I like that point where there’s a decision to make but no one’s ready to make it, or maybe only one party knows the marriage is doomed.

    • http://twitter.com/JewelsCat Giulia Esposito

      This is really piognant. I feel like there’s tons the narrator isn’t telling us yet.

      • Marla4

        Thank you. I think she might have a few stories to tell!

    • http://joebunting.com Joe Bunting

      What a great line, “where the air is thin and stingy.” It would have been better if you stuck with the last, “Where the air is stingy.” I like the choppy feeling between the dialogue and inner monologue. It’s at once disorienting and deep.

      The Tweet Hereafter. Hilarious.

      The end is gorgeous, this debate between communion with nature and sophistication. “Lusty women.” I love it, Marla.

  • http://101books.net/ Robert Bruce

    Famous means little. Go for great. The fact that you can buy your way onto the NYT best-sellers list says a lot about the legitimacy of such lists, which a lot of authors use to catapult to fame. http://online.wsj.com/article/SB10001424127887323864304578316143623600544?mg=reno64-wsj.html?dsk=y&utm_source=buffer&buffer_share=6c9a5

    • http://joebunting.com Joe Bunting

      Very true, Robert Do you know if that happens with fiction books? It seems more of a trend with non-fiction business books.

      • http://101books.net/ Robert Bruce

        Yeah, I think it’s definitely more of a nonfiction thing. Though I wouldn’t be surprised if some fiction publishers did it as well.

        • J.Sclafani

          @Robert and Joe, It seems to make sense that non-fiction gets on the best seller list faster or easier.

          Being famous certainly helps!

          How many rock stars or other celebs have written auto-biographies/memoirs in the last 12 months or so?

          For some reason the public hungers to get a peek inside their famed,glamorous, crazy over the top lifestyles and are willing to fork over the bucks for their books.

          Even I have to admit, there are some celebs who I have always found interesting as people and not just artists. Their books are on my WISH LIST of books I hope to eventually acquire.

          One problem I have about autobiographies is the question of truth.

          How many people are willing to put themselves in a book about their lives and expose themselves, warts and all? AKA: TRUTH

          Who wants to admit to being cheap or cruel? Who will admit to being racist? Who is going to bluntly say they wished they never had kids?

          You get the picture.

          I read an excerpt from a story on John Lennon somewhere and it indicated he had a mean streak. Worse than that, it seemed to be one that was often unprovoked.

          Not that this is unusual for a human to have, but I had to wonder if Lennon had written an autobiography, would he have included that information?

          So who *really* provides the true portrait of the subject, the biographer or the autobiographer?

          Rhetorical question, of course.

          ( Sorry for the tangent)

          • http://joebunting.com Joe Bunting

            Right. For the famous, writing a book (or getting one ghostwritten) is just a way to get a six figure advance, not a quest of passion or truth, like it is, I hope, for us.

  • http://www.bradentalbot.com Braden Talbot

    Same goes with the music industry. There are some terrible hits and some unknown gems.

    • http://joebunting.com Joe Bunting

      What, you mean Ke$ha isn’t a great musician?

  • randall031

    Vivaldi on NPR. Icicle drips running down the window pane. Tea cooling in a red mug.

    Janie paced from window to window. Hearing an engine, she hurried to the door, flung it open and stood shivering on the wooden stoop. She eased the door closed only when a large rusted Suburban parked in the neighbor’s driveway.

    Last night Joan had missed her first phone call in 15 years. Fifteen years of phone calls following twenty of sharing a bedroom, then a dorm, and finally a small apartment. Thirty five years of muttering in the darkness, connected to her twin. Years of saying goodnight and laughing about the day.

    Janie hadn’t slept. Now, closing her eyes, Janie could no longer see her twin. The familiar voice in her head was silent.

    On her own, Janie wandered through the morning. Picking up a book. Putting it down. Starting the shower and leaping out when the dog barked. Her eyes itched from lack of sleep. Her skin twitched. Adding a splash of brandy to her cold tea, she forced herself to drink the foul mixture and went to dress. Time for pacing had passed. It was time to take charge.

    • mariannehvest

      The debilitating loss can be understood here. I think at the end she may not be able to take charge as much as she wants too. It’s very interesting and leaves me wondering what happened to the twin and how it will play out.

      • http://twitter.com/JewelsCat Giulia Esposito

        Agreed. I found this piece very intriguing as well.

    • http://joebunting.com Joe Bunting

      I loved those first three images, and the rest delivered on their promise. This is such a good concept.

    • Steve Stretton

      A poignant story of connectedness and failure to connect. I wondered what would happen next.

  • http://twitter.com/ahechoes Amina Islam

    Hi

    I’m a big fan of ur work. I got a copy. Can’t wait to read it.

    • http://joebunting.com Joe Bunting

      Thank you, Amina!