The Aesthetics of Good and Evil in David Copperfield

On Saturday, I pur­chased Charles Dickens' clas­sic novel David Copperfield and couldn't put it down all week­end. Dickens was a child­hood favorite of mine, and Great Expectations was one of the most impact­ful books to my young con­scious­ness. After col­lege, though, I felt child­ish for pick­ing him up again. Reading him again now I under­stand why.

Charles Dickens David Copperfield

Charles Dickens

Dickens feels mag­i­cal, like a fan­tasy novel, like Robert Louis Stevenson. Good and evil sat­u­rate both the char­ac­ters and his descrip­tions of the set­tings in his sto­ries. Take his descrip­tion of the home of the over­whelm­ingly good, Mr. Pegotty:

There was a black barge, or some other kind of super­an­nu­ated boat, not far off, high and dry on the ground, with an iron fun­nel stick­ing out of it for a chim­ney and smok­ing very cosily; but noth­ing else in the way of a habi­ta­tion that was vis­i­ble to me.

"That's not it?" said I. "That ship-looking thing?"

"That's it, Mas'r Davy," returned Ham.

If it had been Aladdin's palace, roc's egg and all, I sup­pose I could not have been more charmed with the roman­tic idea of liv­ing in it.

Sounds like an adven­ture, doesn't it? And Dickens con­tin­ues to gush about liv­ing in the boat, despite the extremely cramped quar­ters and the fishy smell that per­me­ates every­thing, sat­u­rat­ing even the pores of their skin.

Now, check out this pas­sage describ­ing the board­ing school run by the cruel crook, Mr. Creakle:

I gazed upon the school­room into which he took me, as the most for­lorn and des­o­late place I had ever seen. I see it now. … Scraps of old copy-books and exer­cises lit­ter the dirty floor. Some silk­worms' houses, made of the same mate­ri­als, are scat­tered over the desks. Two mis­er­able lit­tle white mice, left behind by their owner, are run­ning up and down in a fusty cas­tle made of paste­board and wire, look­ing in all the cor­ners with their red eyes for any­thing to eat. A bird, in a cage very lit­tle big­ger than him­self, makes a mourn­ful rat­tle now and then in hop­ping on his perch, two inches high, or drop­ping from it; but nei­ther sings nor chirps. There is a strange unwhole­some smell upon the room, like mildewed cor­duroys, sweet apples want­ing air, and rot­ten books.

It's almost as if the class­room is pos­sessed by evil. Decay is every­where. Scavengers fill the place. The caged bird serves as an evil omen of how Copperfield will become trapped there.

However, it seems as if the set­tings are in fact man­i­fes­ta­tions of the moral­ity of the char­ac­ters who rule them. Mr. Pegotty, the owner of the boat house, is a kind, com­pas­sion­ate man who takes in orphans and wid­ows even though he's unmar­ried. If Mr. Pegotty was an evil man, the fishy smell would be over­pow­er­ing, the quar­ters not just small but vice-like, and the boat house not an adven­ture but a a place of entrap­ment, like liv­ing on a prison ship.

The decay­ing school is run by Mr. Creakle, who beats the chil­dren with a ruler for imag­ined offenses, and seems to be in cahoots with Copperfield's arch-nemesis, Mr. Murdstone. However, if Mr. Creakle were a good man, the messi­ness of the place would be over­looked as quickly as the smell of Pegotty's fish. It would be a poor but com­fort­ing place, full of the warmth of compassion.

The set­tings are man­i­fes­ta­tions of the char­ac­ters, and for your writ­ing, this tech­nique of shad­ing your set­tings with the good or evil of those asso­ci­ated with them is some­thing worth try­ing. Consider giv­ing it a shot!

PRACTICE

First, choose either a hero or vil­lain from your work in progress. If you don't have a work in progress, choose one of your favorite heroes or vil­lains from literature.

Next, describe a set­ting con­nected to them. Shade your descrip­tion based on the moral­ity of the char­ac­ter you have cho­sen. If he or she is good, talk about how clean, bright, and charm­ing his or her realm is. If he or she is evil, write about the decay, the hor­rid smell, and the feel­ing of entrap­ment in the place.

Write for fif­teen min­utes. When you're fin­ished, post your prac­tice in the comments.

And if you post, make sure to com­ment on a few other pieces.

About the Author

Joe Bunting

Joe is a ghostwriter, editor, and an aspiring fiction author. He writes and edits books that change lives. Follow him on Facebook and Twitter.

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  • Sherrey Meyer

    Gosh, golly, gee, Joe! Would you believe I've been con­sid­er­ing pick­ing up Dickens again? At the ripe old age of 66 who would be pick­ing up Dickens again? I would for I have loved read­ing Dickens since I was made to in school, and I won't miss a sin­gle PBS pro­duc­tion of a Dickens' work if I can help it. Thanks for a lovely and won­der­ful post on the art­ful­ness of Mr. Dickens.

    • http://joebunting.com Joe Bunting

      You should, Sherrey. I wrote him off for years, but he really is a master.

  • http://kinswomans-pursuit.blogspot.com/ Casey

    Their mother did not speak to them dur­ing their jour­ney home. The sun was far in the west, and in another hour the it would begin to set. The sky was blis­tered crim­son over the rocky desert sands that were in the west­ern hori­zon. The sun became an infected orange, swollen and preg­nant with expec­ta­tion. A hot wind puffed at their dresses and veils, and the sand at their feet swirled into small dust dev­ils. Elizabeth took one last look at the city behind her. The hairs on the back of her neck prick­led. A shiver crawled over her skin. The city gates and its build­ings were wells of black against the bloody sky. Turning away, she pat­ted the flanks of the don­key to urge it for­ward. The beast lifted its ears and quick­ened its step. Their mother uttered a com­plaint about the increased pace that the ani­mal assumed, but Ruth looked at Elizabeth with a grave nod of understanding.

  • http://twitter.com/Cicinotouch Tacicia Bryan

    Thank you very much for giv­ing this oppor­tu­nity to prac­tice writ­ing. This was very helpful.

    This is my exer­cise for the day:

    Magda sat down in the meadow. The ground was still wet, mov­ing mud and grass to make room for her intru­sion. The air smelled so fresh –just like a drop of rain. She couldn’t help but breathe in gulps and gulps of air and admire the beauty below. Everything looked so small to her. The peo­ple run­ning below the hill, rush­ing to who knows where. However, she was at peace.
    The wind whis­pered softly all around her. It wrapped her in a tight embrace. It wasn’t too harsh to blow her away, but it wasn’t so soft that it could be eas­ily ignored. The sun was at just the right height in the sky. The sky was shin­ing with every colour as the sun rose. The trees pro­tected her as she stood still. She felt so pow­er­ful and so free. Nothing could take this moment from her; noth­ing at all. Magda kicked off her shoes and sunk her toes into the moist earth. Her toes and the mud made squish­ing sounds. She sighed peace­fully.
    “It’s nice, isn’t it?” She turned her head to the sud­den sound. It was Peter, her guide through the hills. She had for­got­ten to call him in all of her excite­ment. He approached slowly, with hands on his hips. “I saw you come up this way. I was won­der­ing why you didn’t call me.” He laughed qui­etly and shook his head. “I can see why. It’s breath­tak­ing out here.” He con­tin­ued his climb up the hill. Soon he was right next to Magda. “Your dress is going to be filthy,” he said qui­etly.
    Magda spun, twist­ing her torso, to see the dam­age. She sighed. “I know,” she answered, “For a sight like this though? I think it’s all worth it.” She shrugged her shoul­ders and extended a hand upwards. “Care to join me?” She smiled at him.
    He smiled back. “I would love to.” He kicked off his shoes and sat beside her. They con­tin­ued to watch the sunrise.

    • Anonymous

      Outdoors on a beau­ti­ful day and up high would give a feel­ing of freedom.

    • http://KatieAx.blogspot.com/ Katie Axelson

      I like that you cap­ture a lit­tle moment.

  • http://jblearnstowrite.tumblr.com/ JB Lacaden

    In my exer­cise below, I made use of Kun'Letero–a char­ac­ter I made for a blog hop con­test I par­tic­i­pated in about two weeks ago.

    I hope I did well in this exercise! :)

    Kun’Letero walked into a clear­ing. The ground was cov­ered with green moss except for the part closes to the huge tree stand­ing in front of Kun’Letero. The tree was gnarled and its branches were bare and leaf­less. It was black in color and the ground a few feet around it was black as well. The trunk of the tree was thicker than five men stand­ing abreast and it was the tallest tree in the Forgotten Woods—a tree fit for the king of the wood imps. . A door was built on it. Kun’Letero twisted open the golden col­ored door knob and he pushed open the door. Immediately, the smell of death and decay poured out of the inside. Kun’Letero breathed in deep. He smiled a toothy smile as he entered his castle.

    The inside was as worse as the smell. The ground was car­peted with the bones of the crea­tures the wood imps had eaten. Some were from the small wood­land crit­ters who lived inside the woods, some though belonged to the unfor­tu­nate humans who got lost and never found their way again. The humans were Kun’Letero’s favorite. He gave a cry of com­mand and from above him, from the small holes built inside the tree, other wood imps started to wake. Some rushed down hold­ing a cloak made from autumn leaves. This they tied around Kun’Letero’s neck. Others were hold­ing a staff made from the old­est tree in the woods. Kun’Letero held the staff and he felt the power of the green enter­ing his rotund body.

    Kun’Letero shoved the wood imps with his staff and he made his way to the cen­ter of the room where his wooden throne was wait­ing. He sat on it with both of his feet propped up on one of the arm rests. The other wood imps stared at him wide eyed, wait­ing for his next com­mand. Kun’Letero eyed his king­dom. Druidic runes were etched on the walls of the tree. These made the tree invis­i­ble to the eyes of the other crea­tures. Vines were dan­gling from the ceil­ing; these were used by the wood imps to get to their holes. Kun’Letero drummed his long fin­gers on the arm rest of his throne. He then pointed at one wood imp with his staff. He barked another com­mand. The tiny wood imp gave a yelp and imme­di­ately rushed to pick up a femur lying on the ground. The femur still had pieces of meat stuck to it. Kun’Letero nib­bled on the bone.

    • http://writex3.blogspot.com/ Steph

      I enjoyed every line. Very imag­i­na­tive and well done!

      • http://jblearnstowrite.tumblr.com/ JB Lacaden

        Thanks Steph! :)

  • http://beckfarfromhome.blogspot.com/ Beck Gambill

    This was a great exer­cise! I love descrip­tion, actu­ally I have to be care­ful not to be too heavy on descrip­tion and sparse on dia­logue. I love set­ting a mood and con­vey­ing infor­ma­tion through a set­ting. Here's my 15 min­utes.
    ***

    The heavy, iron gate, hang­ing askew, creaked an omi­nous warn­ing as my hand forced it open. Inside the gar­den had long ago turned wild. Overgrown trees and tan­gled bushes were silent, not a breath of wind stirred them. Also silent was the grand, old foun­tain in front of the house, once bub­bling with life now as dry as a bone. Red vines climb­ing up the weath­ered sides of the house looked as if they were try­ing to pull it down. As I tested the weight of my foot on the bot­tom step of the porch it groaned in protest. I had seri­ous doubts about it's abil­ity to sup­port me.

    Raising my head I looked up at the gray frame of the decay­ing Victorian house; I couldn't shake the feel­ing that it's grimy win­dows were watch­ing me, unblink­ing and solemn. Did some­one live here? The light I'd seen in the upstairs win­dow two nights ago nagged me. Until recently I had dis­missed the old rumors of an unseen tenant.

    The house had been owned by the Grantham fam­ily for years. From an old respectable, south­ern fam­ily, Pastor Grantham had inher­ited the home years ago from his mother. I won­dered why the house had been allowed to fall into such dis­re­pair, and even if it shouldn't be demolished.

    A chill blew across my heart as I looked at the sad old home, once a grand lady, now just a shell. Even in the day­light the dark win­dows looked fore­bod­ing. I stood in the shadow of the porch and debated whether or not I should go fur­ther in my search for answers. If some­one did indeed live here they must be so ter­ri­bly lonely or per­haps in need.

  • Alison Sanderson

    This is quite rough, and I'm still work­ing to get to know my char­ac­ters. I also real­ize (after read­ing the many won­der­ful posts before mine) that I didn't quite stay on task as much as I should have, but I enjoyed the exer­cise a lot. :)

    "My lit­tle room was my escape. Mother and Father had finally allowed me my own room when I turned 12. It was the small­est room in the house, which I allowed was only fair since I was the one per­son in the house who didn't have to share a room. It had one big win­dow, and I had a won­der­ful view of the street. I loved to watch all the com­ings and goings of the neigh­bors. You could call me a nosy Nellie if you liked, but I found a lot of new imag­in­ings that way and let my mind roam with all the pos­si­ble hap­pen­ings of our quiet neigh­bor­hood. I kept my lit­tle room as tidy as pos­si­ble, putting clothes away and dust­ing my crowded fur­ni­ture reg­u­larly. I filled all the empty spaces on my walls with things I thought were beau­ti­ful: Japanese wood block prints, a pic­ture of my fam­ily, a pressed flower col­lage Mary had given me for my 11th birth­day. I'm not sure how my par­ents man­aged to fit so much fur­ni­ture into such a tiny space, but, besides my bed and shelf, I had a tiny desk that stood against the side of my bed. As soon as I'd get home from school, I'd sit on the edge of my bed at my desk and get all my home­work done, and then give myself half an hour to write about what­ever I wanted before going down­stairs to do my chores. I wrote about the pic­tures on my wall, my day at school, the neigh­bors and their imag­i­nary lives. Having my own space allowed me to focus, to cre­ate my own world as I sought to bet­ter under­stand the world that I had been born into.

    The rest of the house held the same order­li­ness and clean­li­ness I sub­jected my own room to. Graham, Evangeline, and I were each assigned dif­fer­ent rooms in the house to keep in order. After they were cleaned, they were sub­jected to inspec­tion by our mother. Not a speck of dust or a mis­placed book escaped her atten­tion and if a task was not com­pleted to per­fec­tion, we had to do it over. In this way, we all became metic­u­lously spot­less peo­ple until the day we left the house."

    • Anonymous

      I don't know that it's off task. You seem to be describ­ing an effi­cient use of space and a sit­u­a­tion where peo­ple are work­ing together to keep things in order. I get a felling of com­pact­ness, order and effi­ciency here, and maybe a lit­tle bit of con­fine­ment, which work on a num­ber of lev­els depend­ing on the per­son­al­ity of the peo­ple that live there. I enjoyed read­ing it.

  • http://www.littlegirltravels.com/ Unisse Chua

    Meilin felt extremely hes­i­tant to enter the room of the Empress Dowager. Just being out­side the doors made Meilin shud­der and crin­kle her nose from the smell of strong incense burn­ing. There was also a faint smell of iron — maybe from blood — lin­ger­ing in the air.

    "Come in," the Empress Dowager called from inside.

    When Meilin opened the doors, she saw strange orna­ments hang­ing on the wall and paint­ings of the war god the Empress Dowager wor­shiped so much were dom­i­nant in the room. Her room was painted red — as it was the royal fam­ily color as well as the color of the war god's aura.

    Meilin felt a strange hos­til­ity com­ing from the Empress Dowager but sup­pressed her fear. An assas­sin should not be afraid. But Meilin was an ama­teur still and she had never killed any­one before.

    • Anonymous

      A smell of iron from blood. I never thought of that but it makes sense. That is inter­est­ing. I get a lot of red here and not the red of love, the red of power and dan­ger, war.

      • http://www.littlegirltravels.com/ Unisse Chua

        I'm not really sure if you can smell the iron from blood but I know you can taste it.

        • Anonymous

          I agree blood def­i­nitely tastes metal­lic, so it prob­a­bly smells like iron.

  • Anonymous

    The kitchen was drafty, with the only heat being a stink­ing kerosene heater that Mrs. Scott kept in the bed­room, The win­dows were pit­ted from the strong wind from the ocean blow­ing sand against them for decades. One was cracked and a piece of plas­tic had been taped overt it. Anne was star­tled when she opened a kitchen cup­board and a mil­lion roaches ran for shel­ter from the light. She found the tea where Mrs. Scott had said it would be on the sec­ond shelf between a small jar of Maxwell House Instant Coffee with the famil­iar blue label and a box of generic pow­dered milk. The han­dle of the small alu­minum tea ket­tle was cold to the touch. Mrs. Scott coughed from the bed­room. She could find no sugar to add to the tea. She heard the cough­ing again.

    • http://writex3.blogspot.com/ Steph

      Love the line: She could find no sugar to add to the tea. I take it there is no sweet­en­ing up this Mrs. Scott? I was also very inter­ested in the set­ting, and set­ting descrip­tions usu­ally scream *skim!* to me (even my own). Without using the words, you caught my inter­est with the harsh­ness of the envi­ron­ment and the pos­si­ble iso­la­tion of this house.

      • Anonymous

        Thank you Steph. I have been try­ing to keep it sim­ple, but my incli­na­tion is really more toward pur­ple prose. I'm on a word diet now.

    • http://joebunting.com Joe Bunting

      Brilliant, Marianne. It's as if the house is wilt­ing away just as Mrs. Scott is.

      • Anonymous

        Thanks Joe.

    • Alison Sanderson

      I really liked the stink­ing kerosene heater, and the roaches. I got the chills when I read that line.

      • Anonymous

        My won­der­ful mother-in-law had a kerosene heater and I hated the way it smelled. They can be awful.

  • http://martinleah.blogspot.com/ Leah Martin

    Here's some­thing relat­ing to a project I've been work­ing on. (Pretty unsuc­cess­fully lately, I might add.)

    "Phillip glanced around as he stepped inside the tiny hut. He squinted, try­ing to get his eyes to adjust. It was dark, and the sin­gle win­dow let in a scarce amount of light. The place sad­dened him; it was obvi­ous that this stranger didn't have many vis­i­tors. There was a small unmade bed in the cor­ner, a table laden with papers, dishes, and a sin­gle stool next to it. Next to the fire, the only cozy part of the house, was an old and worn, yet comfortable-looking arm­chair, with stacks and stacks of books piled next to it. The titles con­fused Phillip, he had never seen so many dif­fer­ent kinds of books in one person's pos­ses­sion, save Edgar's study—scientific books, fic­tion nov­els, his­tory, phi­los­o­phy, all with a thick layer of dust cov­er­ing them, a dust which hung in the air all about him. The smell reminded him of Edgar's study at home, that musty old book smell, but there was some­thing sour about it he couldn't quite detect. This stranger's house was mys­te­ri­ous and unnerv­ing; every instinct told him to run, but he had no other choice."

    • Anonymous

      I like this because you can see that the stranger is prob­a­bly com­fort­able here with his books and his dust but Phillip is not. That makes me won­der about an encounter between Phillip and the stranger.

      • http://martinleah.blogspot.com/ Leah Martin

        Thanks for the com­pli­ments! And I'm not sure I want the stranger to feel com­fort­able. Complacent, maybe, but not com­fort­able. I want to con­vey an impres­sion that the stranger isn't quite com­fort­able in his own skin. Definitely some­thing to work on.

    • http://writex3.blogspot.com/ Steph

      I'd sure say you're on the road to suc­cess. Keep at it!

      The part about this that jumped out at me was the diver­sity of the books. This could mean so many things about a char­ac­ter and could also play into the plot. I hope you con­tinue to give us glimpses of this project!

  • http://bikerider.Writing.Com/ Angelo Dalpiaz

    Here's my 15 minutes.

    I was also forced to read Dickens in school and barely got through it. Maybe now I'll revisit some of his writ­ing. Thanks for the idea Joe.

    Crane stepped into his ground-floor rented room and knew instantly that some­thing was wrong. The door lock clicked shut behind him and he took a step. Flecks of paint that had long ago fallen from the ceil­ing, like leaves from a dead tree, crunched under his shoe.
    His eyes roamed around a room that was slat­ted with shade and grey day­light spilling through the bars that kept intrud­ers out. Or was it to keep his guest in upon real­iz­ing that they no longer wanted to remain there with him.

    The blan­ket that he kept hang­ing from his stained mat­tress down to the scratched wood-plank floor had been pulled up and left in a pile on his bare pil­low. His sneer revealed yel­low, crooked teeth speck­led with decay. Dropping to his knees, he looked under the bed and saw the marks in the dust. Someone had dragged his tool­box out from under the bed. His spine tight­ened as he stood, and his grey-clouded eyes nar­rowed in thought, when he remem­bered what he had secreted in that metal box.

    He rum­maged through the unlit closet and pulled musky smelling clothes from their hooks and dropped them to the dirty floor. He ran his hands over the splin­tered wood wall and found the seam of the secret door he had cut there; the one no one else knew about. It was secure, as was its iron lock. The box was nowhere to be found.

    He sat on the edge of his bed and ran his thick fin­gers through his greasy, thin­ning hair and won­dered how long it would be before they came for him.

    • http://writex3.blogspot.com/ Steph

      You have lots of good mood set­ting details. The only thing that I won­dered about was the word "secreted" — I read it the first time as the past of to secrete. I think you meant it as a form of the word secret, though? Not that secrete doesn't carry its own impli­ca­tions, and if you meant it as such, for­give my comment :-).

      • http://bikerider.Writing.Com/ Angelo Dalpiaz

        Secrete: 1. The act of con­ceal­ing some­thing in a hid­ing place.
        2. To con­ceal in a hid­ing place.
        3. To gen­er­ate and sep­a­rate (a sub­stance) from cells or bod­ily fluids.

        • http://writex3.blogspot.com/ Steph

          Dictionary.com shows your def­i­n­i­tion #3 in posi­tion #1, fwiw. But if you like it, you should use it! I am only say­ing that I stum­bled over read­ing that one lit­tle part of your sub­mis­sion, which oth­er­wise flowed very smoothly to me. Happy secreting! :-)

      • http://bikerider.Writing.Com/ Angelo Dalpiaz

        I meant it as such. But thank you for point­ing out a word that I may recon­sider in the future. I always thought that to "secrete" was to "secret some­thing away." I under­stand it also means to sep­a­rate, such as sweat­ing, or some­thing of that nature.
        But the impor­tant thing is that a reader stum­bled on the word, some­thing that is not good, and I appre­ci­ate that you let me know.

    • Anonymous

      That really is creepy Angelo. It makes me feel like he is going to "get" some­one. I like very dense detailed descrip­tion like this. "his grey-clouded eyes nar­rowed in thought, when he remem­bered what he had secreted in that metal box" and "flecks of paint … under his shoe" are amaz­ing! The sen­tence that says "Or was it to keep his guest in…" thew me a bit because I am close to him as I read this and he would know why he had the bars on the win­dows. I might not see it that way in a larger work though, for instance if I knew the nar­ra­tor was watch­ing him. I really like this a lot.

    • http://beckfarfromhome.blogspot.com/ Beck Gambill

      Ooooh, that made me shiver! I don't even want to know what he's locked away, I have a feel­ing it's just too hor­ri­ble. Your descrip­tion of the room and Crane were excel­lent, I could feel the malevolence.

  • Yvettecarol

    Hi Joe,
    I thought this was an inspired idea!
    I've really got to get in to my vil­lian, Chief Wako, now that I'm into the sec­ond book which is where he reigns. Before read­ing this blog I'd never really thought of imbu­ing his sur­round­ings with the depth of his evil before. This writ­ing exer­cise gave me a whole new way of bring­ing out the bad­die in him. Woohoo. Here's what I wrote;

    'The red-skinned, hulk­ing fig­ure bent for­ward over the desk. From the tail ends of his mane water dripped to the floor, mak­ing pud­dles that smelled of meat left out too long in the sun. Above his head, in fact, stream­ing down­wards from the ceil­ing every­where in the cav­ernous room hung clumps of moss and furred lichen, as if the room were alive but in an omi­nous form that sought only to greed­ily engulf other forms of life.'

    Also, read­ing the com­ment sec­tion, Laura W, I thought the phrase 'worn car­pet under­foot pro­tected a hard wood floor' was lovely. I would never have thought of using the word 'pro­tected' but it gives one the sense imme­di­ately that this is a safe place.
    And PJ Reece, that open­ing line is a doozy, 'An air­plane was a cocoon, sealed, self-contained, dan­ger­ous…' I felt claus­tro­pho­bic!!
    Yvette Carol

    • http://bikerider.Writing.Com/ Angelo Dalpiaz

      That is a great descrip­tion of a room that would make my skin crawl. Good job.

      • Yvettecarol

        Thanks for the encour­age­ment Angelo! I was thor­oughly spooked by your 15 minute piece. The 'crunch­ing' of the flecks of the paint and the decay speck­ling his teeth really cre­ated a pic­ture in my mind.

    • Anonymous

      Puddles that smelled like meat left out in the sun is very very gross. Well done!!!

  • http://lauraplusthevoices.blogspot.com/ Laura W.

    This is an excerpt from one of my wips. The pro­tag has just entered an antique shop where she hopes to find a job. Little does she know that the owner of the shop is a wiz­ard. Enjoy!

    The pleas­ant tin­kle of a bell greeted her as she stepped over the thresh­old, her cheeks red from the wind. The room was thank­fully warm, almost stuffy. Morgan unzipped her jacket and looked around with inter­est. Like most stores in the city, it was long rather than wide and seemed three times big­ger on the inside than you’d expect from the street. To her right, book­shelves soared almost to the ceil­ing. She raised her eye­brows, impressed. To her left, tables, glass cases, and shelves housed “relics” that included a wire sculp­ture, a vio­lin, the com­plete skele­ton of a small ani­mal, sev­eral mod­els of clocks in var­i­ous states of work­ing order, vases and china, fur­ni­ture, a col­lec­tion of rare coins, and innu­mer­able inter­est­ing objects that Morgan would have loved to sift through if she’d had time. A worn car­pet under her feet pro­tected a hard­wood floor, but she could see sev­eral car­pets in much bet­ter shape—and prob­a­bly of much higher value—rolled up and stacked along one wall. There were even two tapes­tries, hung along­side oil paint­ings and the auto­graphed poster of a band she didn’t rec­og­nize. The whole place had a smell of slightly musty secrets.

    Morgan looked around at the col­lec­tion of stuff with a ris­ing esti­ma­tion of Nuada Relics. Some of the “relics” were prob­a­bly just junk, but peo­ple would pay a lot for some of the items in here…

    • Anonymous

      I can see a place that is kind of musty and dark but with lots of inter­est­ing things to look through. It gives one a feel­ing of curiosity.

    • http://writex3.blogspot.com/ Steph

      Am I right in guess­ing that the name "Morgan" did not hap­pen by chance? It makes me won­der if she also has some mag­i­cal poten­tial. The descrip­tion of the room made me think of a store at a souq — maybe the rolled up rugs are con­jur­ing magic car­pet images in my mind. I def­i­nitely have the feel­ing that the store and its owner are unusual.

  • http://writex3.blogspot.com/ Steph

    I was not an English major (which is prob­a­bly obvi­ous!), but I do have fond mem­o­ries of read­ing Great Expectations as well in col­lege. Much fonder than those I have of Moby Dick :-).

    Here's my prac­tice. I ran closer to 1/2 hour, and it is still pretty rough, but I gotta make din­ner now! Thanks for the incen­tive, Joe.:

    Along the shore, the banker’s man­sion, painted a blue that rivaled lake and sky, vied for pre­ten­tion with the mayor’s broad Cape Cod that was not so much a home but an announce­ment that the mayor had bought his new life on the lake with cold, hard cash from back East. From there, the houses shrunk as Rex walked into the heart of town. There, the rail­road work­ers had built rows of clap­board bun­ga­lows which their wives planted hol­ly­hocks in between. Their col­lec­tive chil­dren rolled through the neigh­bor­hood like a pile of pup­pies, occa­sion­ally stop­ping at the hol­ly­hocks where they skew­ered buds atop over­turned blos­soms to make doll fam­i­lies of their own to play with on the lawns.

    Rex passed all this by.

    Finally, he saw the roof he had raised with his own hands pok­ing through the tan­gle of bam that had shot up since he had been gone. He had pitched his roof good and steep because every win­ter some poor soul fell while shov­el­ing snow off a roof, and that was not the way he believed his per­sonal picture-show should end. No, not when he had a son to bring up.

    He also had a wife to pro­vide for, and he had planned his home with her in mind as well. He and Myrt and RJ had lived in the apart­ment upstairs: a tidy sit­ting room and kitchen fac­ing front and two small bed­rooms sand­wich­ing a bath­room – com­plete with a flush toi­let — fac­ing rear.

    The ground level of the home was a board­ing house. If there was one thing Rex knew besides fish­ing, it was how to make a buck off the tourists who flooded in each sum­mer. World’s best wall­eye fish­ing, it was said, and city folk headed north in droves to find out if the claim was true. It was, of course, which is why they kept com­ing back for more. Even with the Depression, fish­ing wasn’t viewed as a lux­ury but as a means for a good man to put food on the table. At least they jus­ti­fied their trips as such.

    The board­ing house had been Rex’s idea, his insurance-policy for Myrt. It was a great set-up: she cooked and cleaned for the board­ers while he guided their fish­ing trips out on the big water. But now a splin­tered plank with the word “closed” painted on it was nailed over the sign in their yard. And the peel­ing paint on the sid­ing and the loose gut­ter over the porch drove the point home; yes, he and Myrt were cer­tainly closed for business.

    • Anonymous

      I like how at the begin­ning the home is cozy and clean and will be good in old age, but then it's closed and the paint is peel­ing as an anal­ogy for the rela­tion­ship between Myrt and Rex

  • Eric

    Philip approached the impos­ing wooden door of the headmaster’s quar­ters and grabbed the door­knob with a sweaty palm. He had been assured that the room would be empty, but the uncer­tainty of what lie on the other side still wor­ried him.
    He turned the large brass knob and slowly pushed the door open, the labored creak­ing of the hinges announc­ing the breach of this tyrant’s per­sonal quar­ters.
    He stepped in and closed the door behind him. The room was neat and ordered. All around him, every­thing seemed to reside in its place. The large, tidy desk under the win­dow, with the chair neatly tucked into the alcove. On the right side of the desk, a neat stack of hand-written pages, per­haps a hun­dred in total. He approached the desk and saw that the sheets were the lines that the head­mas­ter had given out to his pupils two days ago. “I will not answer ques­tions out of turn,” was writ­ten ad infini­tum on both sides of each sheet. The hours his friends had spent writ­ing these use­less words, he thought, whilst they could have been play­ing with him in the for­est yes­ter­day evening.

    He looked up at the dark mahogany walls, and peered at the half dozen antique pho­tographs of the headmaster’s pre­de­ces­sors all hang­ing there. The stern, angry looks all look­ing down their noses at him, men­ac­ing the con­fi­dent bravado with which he had entered the room. He noticed the grand­fa­ther clock in the cor­ner of the room, the swing­ing of its lan­guid pen­du­lum remind­ing him of the slow, metic­u­lous nature of the rooms occupant.

    The boy con­tin­ued his search of what he was look­ing for. He walked around the perime­ter of the study, seek­ing out evi­dence of its where­abouts. And then he saw it. The cricket bat. The headmaster’s noto­ri­ously favourite form of cor­po­ral pun­ish­ment. It stood there, lean­ing innocu­ously against the side of the book­case. The very sight of it jolted him with fear-induced adren­a­line, his mind fresh with the mem­ory of the humil­i­at­ing agony with which he had had to bear this monster’s demented beat­ing ear­lier in the week. He grabbed the bat with both hands and swung it a few times, siz­ing up its poten­tial for destruc­tion within the con­fines of these walls.

    • http://writex3.blogspot.com/ Steph

      Gah! Scary cricket bat! Good detail there — got my attention.

    • http://bikerider.Writing.Com/ Angelo Dalpiaz

      That is a very well writ­ten scene.
      I have had the expe­ri­ence of turn­ing the brass door knob with a sweaty palm, but I was enter­ing the Dean's office, hav­ing been sent there by a teacher who just didn't under­stand me.

      • Eric

        Thanks Angelo. I'm new to this writ­ing blog but already very happy to be tak­ing part in these exer­cises. It's really moti­vat­ing to just sit down and con­tinue writ­ing, some­thing I should be doing a lot more of. BTW, I loved the mood that you built up with your piece on Crane today. So easy to get into his mind through your words.

    • Anonymous

      Very dra­matic! I can see this in a movie.

      • Eric

        That's a nice com­pli­ment! Thanks Marianne.

        • Anonymous

          It was meant to be a compliment : )

  • http://KatieAx.blogspot.com/ Katie Axelson

    OK, Joe, really, who likes Dickens? And, more so, who admits to lik­ing Dickens?

    • Anonymous

      Admits? I loved Dickens. What's wrong with Dickens?

      • http://joebunting.com Joe Bunting

        I love Dickens, but I think the mod­ern lit­er­ary sen­si­bil­ity has strayed away from him, even rejected him out­right. He's too fan­tas­ti­cal for mod­ern real­ism, and he's too real­is­tic for mod­ern sur­re­al­ism. What do you have against him, Katie?

        • http://KatieAx.blogspot.com/ Katie Axelson

          I guess it's just me but I can't stand Dickens. I didn't mind Oliver Twist but A Tale of Two Cities was MISERABLE. I haven't been brave enough to ready any­thing since then.

          • http://beckfarfromhome.blogspot.com/ Beck Gambill

            Interesting dia­logue about Dickens. I think he was absolutely bril­liant. But I think he can only be appre­ci­ated in con­text. He was an advo­cate and his writ­ing was a vehi­cle of change in his soci­ety. As some­one who val­ues social jus­tice I'm amazed by his insight­ful and bold writ­ing. I don't know if Dickens can be read for enjoy­ment but rather to gain wis­dom. A Christmas Carol has impacted gen­er­a­tions for good, remind­ing us of the value of human­ity and our oblig­a­tion to soci­ety. He may not be appeal­ing to mod­ern tastes, but he has an impor­tant place in history.

          • http://joebunting.com Joe Bunting

            I did strug­gle through parts of Tale of Two Cities, but over­all I enjoyed it. You should try Great Expectations. It's still one of my favorite stories.

          • Anonymous

            It's prob­a­bly just a mat­ter of taste, and from all the answers here it looks like hav­ing him assigned in school made peo­ple not like him. I read his stuff when I was recov­er­ing from either mumps or measles (my mother liked us to stay in bed for a long time after we were sick) and Great Expectations and A Tale of Two Cities were on the book­shelf along with some Pearl S. Buck (which I did like bet­ter) so I read them.

      • http://lauraplusthevoices.blogspot.com/ Laura W.

        I mean…as a kid, I just thought he was bor­ing. Maybe because I had Great Expectations forced upon me in 8th grade, before I was old/mature enough to under­stand and enjoy it.

        • http://joebunting.com Joe Bunting

          I can see that, Laura.

        • Eric

          Laura, I had exactly the same novel forced upon me at school at about the same age. Being the good pupil, I read the book from cover to cover, but only to get it over with as quickly as pos­si­ble. At that age, his writ­ing offered me no lit­er­ary plea­sure what­so­ever. It was only later on at uni­ver­sity dur­ing my eco­nomic his­tory course that Dickens's name came up at which point the teacher remarked that his work was of great impor­tance as a his­tor­i­cal record of what life was truly like in Victorian England. So from a soci­o­log­i­cal per­spec­tive, his books can be fas­ci­nat­ing as they really give you an insight into all aspects of life in that era.

    • http://kinswomans-pursuit.blogspot.com/ Casey

      I have one Dickens novel on my Kindle. I have three on my shelves. I haven't read any of them. I was sup­posed to read Great Expectations in high school (one of the nov­els that I still have), and I just couldn't read it. I've started all the nov­els that I have, but I can never get very far into them. And I still have them because I feel that I prob­a­bly should like them, or at least try to appre­ci­ate them. One day I may actu­ally fin­ish ONE.

      I've come to the con­clu­sion that I don't have to like him just because my English teacher said I should. And if I can't get inter­ested, then I can't. His writ­ing style and my read­ing taste are at odds, and that's okay. I love other nov­els that suit my palate just fine. I won't beat myself up over Dickens. I admit, I gen­er­ally read fic­tion solely for plea­sure and Dickens does not give me pleasure.

      So that's how I stand with him. :)

      • http://joebunting.com Joe Bunting

        Fair enough! :)

      • Anonymous

        Everyone has their own tastes and you sound like the kind of per­son that doesn't have to have their taste val­i­dated by gen­eral con­sen­sus, bravo!

        • http://kinswomans-pursuit.blogspot.com/ Casey

          Just so long as you and Joe don't think any less of me. :)

          • http://joebunting.com Joe Bunting

            I think SO much less of you, Casey ;)

          • Anonymous

            Ha! You're okay with me.

  • http://www.pjreece.ca/blog/wordpress PJ Reece

    An air­plane was a cocoon, sealed, self-contained, dan­ger­ous on the out­side but safe as a cocoon on the inside. Vic Borders spent as much time inside these alu­minum can­is­ters as pos­si­ble. Buckled up, it was hard to get into trou­ble unless one’s charms were such that atten­dants had a habit of pour­ing you one too many. Even then, these mis­siles were equipped to anni­hi­late the aver­age personality—movies, music, mag­a­zines, and above all a dull roar that anaes­thetised the mem­ory of fail­ure. Vic would have hap­pily spent the rest of his messed up life fly­ing around the world for the Foreign Office. In fact, it would seem that that’s exactly what he was doing.

    • http://writex3.blogspot.com/ Steph

      I like the way you illus­trate the safety within the plane, but the first line throws me a lit­tle bit. If the air­plane "is" a cocoon, how is it dan­ger­ous on the out­side? Are cocoons dan­ger­ous on the out­side? Or do you mean that Vic is safe inside while the world sur­round­ing him is dan­ger­ous? Or maybe just skip that open­ing metaphor and leave the rest of the first sen­tence since you address the cocoon again, this time con­trast­ing the dan­ger and safety on either side of the plane's walls?

      At any rate, this reads like a thriller — sounds excit­ing. And I like that Vic appears to have a very impor­tant job that requires a lot of brav­ery but that he also seems imper­fect. That makes for an inter­est­ing character.

      • http://www.pjreece.ca/blog/wordpress PJ Reece

        Thanks for that feed­back, Steph… yes, that quick first draft will get an over­haul. I don't think I ever write any­thing that's com­pre­hend­able on my first go-round. So com­ments from a third party are crit­i­cal. Thanks again.