You desperately want to write a story. You carry a pad of paper with you in case you get an idea. You can’t decide if your main character should have short hair or long hair. But for now, put aside what your character looks like and think about what they want.
In this post, we’re going to look at how to write a story by focusing on one of the most important elements of any story: conflict.
There was no hesitation as I vomited. I didn’t put on my glasses, clean the seven litter boxes, or put on shoes before I ran to the toilet and vomited. The virus was forcing me to avoid perfection and get rid of what was in my stomach.
Vomit your first draft as quickly as a virus makes you run to the toilet.
I have a one-hundred-and-five-page book. It weighs four ounces. The Boston Globe thinks that “No book in shorter space, with fewer words, will help any writer more than this persistent little volume.” The Elements of Style by Shrunk White and E.B. White is as elemental to a writer as practicing scales is to a pianist.
There are many ways to approach writing a story: you can interview your characters first, plot the story before you start writing, or use Stephen King’s approach, which is to start with the situation.
Do you plan your stories before you write them? Do you start with a character or a situation? Do you know where your story will end before you begin writing?
These are all valid ways to write stories. But today, perhaps you might try beginning with a situation and following a character who will lead you to the end.
The word “gift” has several meanings. Your writing is a gift. A natural ability, and something to give away without payment.
You can give gifts; socks, pencils, toys. Socks will get holes in them, pencils will wear down, and toys will break. Words can create images and bring back memories that will never wear down or break.
Write with intent. Give someone you love a story about how much they mean to you.