At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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I’m currently working on my fifth nonfiction book and starting is always the hardest part. There are just so many options.
Should I write a preface? A prologue? An introduction? Should I find someone to write a foreword? Should I just start at chapter one?
If you’ve ever found yourself asking these questions, you’re not alone! And you’re in luck! I’ve asked these questions too and found some answers.
Let’s talk about the difference between each these and figure out which is best for you.
You are going to write a story. Yes, today is the day you are going to write a fiction story about someone. Your character and their development through the story is the heart of fiction.
Make your characters real, and your readers will care what happens to them because they can identify and sympathize with the character in a situation.
A while back I attended a novel-writing workshop. Each week we read thirty pages from two students and spoke about them in depth during class, offering helpful feedback and criticism of their writing. After the second or third week, it became customary to ask whoever had been up for a critique “are you OK?” after class. Sometimes I saw tears. I myself felt overwhelmed by the amount of work I still had to do and my classmates’ brutal honesty.
We all know workshops and editing are crucial to the writing process. Writing criticism is essential. But man, that feedback can be hard to hear. Here five survival tips.
Writers are a funny bunch. On one point, we are driven and self-aware, capable of exercising massive amounts of discipline when we need to focus on the task at hand. Yet at other times, we’re distracted, self-critical, and destructive.
Part of the doubt writers face comes up because the creative process isn’t an easy thing to experience. It’s incredibly difficult to create something out of nothing day in and day out.
But when you can identify these critical mistakes writers make, you’ll be ready to overcome your doubts and challenges and actually finish your writing projects.
Imagine the quintessential writer: introverted, glasses, coffee in hand, sitting alone at a small desk, while poking their fingers on a keyboard.
We all have preconceived notions as to what being a writer looks like, but whatever your idea of a writer, I can bet that one trait is uniform across the board. You probably imagine your writer alone, the Stephen King type, secluded, perhaps in a cabin in the middle of nowhere.
Interestingly enough, being a writer alone is nearly impossible, and after being part of a writers group for almost a year, I’ve learned I could never do it alone.
Recently, I shared why Microsoft Excel and Google Docs are some of my favorite pieces of book writing software. Spreadsheets might seem like odd resources for a writer, but I’ve found them to be invaluable tools for planning my stories.
I use spreadsheets to plan my stories in several ways. Today, though, I’m going to focus on just one: creating a beat sheet to outline a story before I write.
You’ve probably heard the age-old adage of “show, don’t tell” at least a thousand times in your writing career so far. It’s arguably one of the most-used writing tips about. Why then, is it also the one mistake most writers make over all others?
I heard “show, don’t tell” so many times, it became a useless mantra to chant, rather than put into action. I had no idea that by ignoring it, I was actually writing flat, monotonous narrative.
So, what does it mean to show and not tell? Well—it all comes down to drama.
If you’re someone who writes regularly—even more so if you write for others as well as your own platform—the demands can easily take their toll, right? You find yourself writing to formula, and if you’re not careful the demands of writing can become a deafening cacophony of noise in your head.
Fortunately, a simple writing exercise might be just the thing to need to jumpstart your creativity and help you rediscover your creative voice.
If you’ve been around The Write Practice long, you’ll have noticed we’ve recently talked a lot about which book writing software you should use. While I’m a strong believer in “use whatever works for you,” I’m also a strong believer in Scrivener.
So today, instead of giving you more reasons why I think you should use Scrivener (because there have already been plenty…) I’m going to tell you which tabs/notes you’ll want to create and have open while you’re writing.
Even if you don’t use Scrivener, you’ll want to have these as separate documents or pages on Word or Google Docs (or whichever writing software you use).
This week, nearly four hundred writers submitted their stories to the Spring Writing Contest.
I’ve so enjoyed seeing how these stories have developed. Our contest Facebook group was full of lively conversations, writers collaborating to help each other find the best ideas and tell unique, creative stories. They’ve workshopped their stories and given each other great feedback in Becoming Writer.
These writers worked hard to craft their very best stories, and this week, they took that final, scary step: submitting their writing to the judges. Now, it’s your turn to read the stories—and vote for your favorite!
