by Joe Bunting |
Is your writing fuelled by everyday life and experiences or by imagination? Of course, these two are often mixed together; yet, you probably draw more from one than the other. You may be the type of person who eavesdrops in coffee shops and later writers stories.
You may be shut down at home, pulled into a parallel world of other planets, creatures and sixth and seventh senses.
by Joe Bunting |
For every artist who struggles with transforming passion into actual and tangible, remember this:
There is no magic, no luck, no splash of momentary inspiration that will replace the call of the work in front of us.
We must be fully present in our practice.
How?
by Joe Bunting |
Not long ago in my writing career, my readership reached an all-time low. It was a pretty drastic drop. My writing was inconsistent, and so were my topics. I wasn’t giving anyone a reason to follow me. But even without the readers, I still had an urge to write.
It was then I made the mistake of making my writing about myself.
by Joe Bunting |
Foreshadowing is common enough in storytelling: the burning scar of Harry Potter, Peeta Mellark’s ability to frost cakes, all the hand motifs in Arrested Development, everything in LOST. A well-placed note of foreshadowing can come back to the reader as a smack on the head or a revelatory twist ending. One of the most well-known foreshadowing techniques gets its name from the playwright Anton Chekhov. He famously said that if there is a rifle onstage in the first act, then it absolutely must go off in the second or third act. If it’s not going to go off, it’s got no business being present.
This object, skill, or other source of foreshadowing is referred to as Chekhov’s gun.
by Joe Bunting |
When you’re only just starting out as a writer, there are so many questions to be considered before you even begin: what to write about, the genre, the style, how often you should practice, and many technical ones that keep piling up the more you actually involve in the craft of writing.
Those are things that inevitably hit everyone sooner or later, so the proliferation of writing tips and advice shouldn’t be surprising at all. Most of the literary masters have offered invaluable counsel on the matters. This wide range of writing tips is good because it means there’s a bigger chance that somebody will find another person to relate to.