And now, another punctuation term that you probably have never heard before: the em dash.
Truthfully, I was ignorant of the em dash until Joe first approached me about a punctuation post.
So I did what any educated American would do and went straight to Wikipedia. Here’s what I learned.
You’ve heard the classic writing rule, “Show. Don’t Tell.” Every writing blog ever has talked about it, and for good reason. Showing, for some reason, is really difficult. Yet, it’s also one of the most important writing techniques you need to master if you want your own writing stand out. This post will teach you how to do this, along with some show and tell examples.
Telling is one of the hardest habits to eradicate from your style. I still struggle with it regularly. However, writing that shows is so much more interesting than writing that tells. Most of the time.
In this article, you’ll find the definition of “show, don’t tell”; see several show don’t tell examples; and learn the one simple trick to stop telling and start showing in your writing.
Are you the kind of writer that loves writing a first draft but has no idea what to do once you’re done with it? Do you worry that you don’t know how to edit a novel, and freeze up because of this?
Editing is hard, but luckily there are strategies you can take when editing your first draft (and others), or even if it’s your first time.
In this article, I’ll teach you the process I’ve learned after years of struggling to edit. But first, there’s one thing we have to get out of the way:
Do you crave solid feedback on your writing but rarely get it? Our maybe you’ve received feedback but you’re having trouble what to embrace and reject, or how to apply writing feedback in general.
Learning how to apply writing feedback is tricky, but knowing how and when to accept and reject suggestions can drastically change your story’s ability to touch readers. It will also teach you how to give better feedback to others, which is crucial for building your writing community.
As writers, we want to capture our readers’ attention, rivet them to the page, and leave them clamoring for more. We want to create something that moves people, deepens their understanding, and keeps them thinking about our story long after they’ve devoured the last word.
You may have noticed how I used sets of three in my opening paragraph, and if you didn’t consciously register it, your subconscious mind certainly did. Using the Rule of Three in your writing is one way to meet reader expectations and engage reader interest.
Atmosphere matters. People will pay a premium to eat at a restaurant with a certain ambience or buy a house in a setting that supports a particular feeling. In like manner, your reader won’t remember every word you wrote, but if you infuse the story with atmosphere, they will remember the way it made them feel. And readers read in order to feel something.
