Whether you’re writing a book or a blog post, it’s tempting to just dive into your writing project. However, you will likely save yourself time and create a better end product if you settle on a solid premise before you start writing.
Stuck on the distinction between “in to” and “into”? You’re not alone! Don’t worry, though, I’ve got you covered. Here’s the quick version:
Use “into” to describe where something is: going inside something else.
Use “in to” based on the verb that comes before it. It can have many meanings, but here’s a quick tip that covers some of them: if you can replace it with “in order to,” use “in to.”
Read on for the longer explanation, plus examples of into vs. in to.
You can’t write a great story if you don’t master plot and structure. But what is the best structure for a novel? How do you plot a novel?
Figuring out your plot and structure is essential for your story’s success. Even if you have an exciting idea for a story, great characters, and a memorable setting, you need to put your protagonist through events that have high and escalating stakes.
Without a sound plot and structure, you won’t thrill your readers. Today, we’ll look at story structure and learn how you can build an effective plan for a story packed with suspense, with all the right twists in all the right places.
And now, another punctuation term that you probably have never heard before: the em dash.
Truthfully, I was ignorant of the em dash until Joe first approached me about a punctuation post.
So I did what any educated American would do and went straight to Wikipedia. Here’s what I learned.
Do you remember the first time you read Romeo and Juliet? Did you cringe when Romeo kills himself, knowing that Juliet is still alive? This is a perfect example of how to use dramatic irony in your story—a literary device that will inevitably add suspense into your novel.
Dramatic irony can be used in any story regardless of genre, but it is especially useful when writing stories that you want to increase tension and suspense.
In this article, you’ll learn about dramatic irony, another useful technique that keeps readers on the edge of their seats.
Finishing a first draft is a huge deal. If you just accomplished this, be proud of yourself! At the same time, you might be wondering how to revise a novel after that first draft is done. There’s a lot of advice out there. Which do you listen to?
The revision process doesn’t have to be complicated. However, you might feel—especially if this is your first completed draft ever—intimidated to edit your book. There’s a lot of words and scenes to review. Where do you begin?
In this article, I’d like to share how I took a daunting editing process and created a simplified, concise, and clear strategy to revising your first draft. I do this with what I call a Revision List—a table with five columns that can help you simplify big ideas.
If you’re like me, you won’t ever want to edit a first draft without it!