Finishing a first draft is a huge deal. If you just accomplished this, be proud of yourself! At the same time, you might be wondering how to revise a novel after that first draft is done. There’s a lot of advice out there. Which do you listen to?
The revision process doesn’t have to be complicated. However, you might feel—especially if this is your first completed draft ever—intimidated to edit your book. There’s a lot of words and scenes to review. Where do you begin?
In this article, I’d like to share how I took a daunting editing process and created a simplified, concise, and clear strategy to revising your first draft. I do this with what I call a Revision List—a table with five columns that can help you simplify big ideas.
If you’re like me, you won’t ever want to edit a first draft without it!
You’ve heard the classic writing rule, “Show. Don’t Tell.” Every writing blog ever has talked about it, and for good reason.
Showing, for some reason, is really difficult. Yet, it’s also one of the most important writing techniques you need to master if you want your own writing stand out.
Telling is one of the hardest habits to eradicate from your style. I still struggle with it regularly. However, writing that shows is so much more interesting than writing that tells. Most of the time.
In this article, you’ll find the definition of “show, don’t tell,” see several show don’t tell examples, and learn the one simple trick to strengthen your writing style.
If you want your readers to not just pick up your book, but keep turning the pages, you need to learn how to write a hook that will draw them through the story so they never want to put it down. Try baiting your hooks with the thrill of danger to keep your readers on the line.
Whether you’re writing a book or a blog post, it’s tempting to just dive into your writing project. However, you will likely save yourself time and create a better end product if you settle on a solid premise before you start writing.
Stuck on the distinction between “in to” and “into”? You’re not alone! Don’t worry, though, I’ve got you covered. Here’s the quick version:
Use “into” to describe where something is: going inside something else.
Use “in to” based on the verb that comes before it. It can have many meanings, but here’s a quick tip that covers some of them: if you can replace it with “in order to,” use “in to.”
Read on for the longer explanation, plus examples of into vs. in to.
You can’t write a great story if you don’t master plot and structure. But what is the best structure for a novel? How do you plot a novel?
Figuring out your plot and structure is essential for your story’s success. Even if you have an exciting idea for a story, great characters, and a memorable setting, you need to put your protagonist through events that have high and escalating stakes.
Without a sound plot and structure, you won’t thrill your readers. Today, we’ll look at story structure and learn how you can build an effective plan for a story packed with suspense, with all the right twists in all the right places.
