The scene is the fundamental unit of story. It’s what drives the story forward, instilling purpose, drama, and emotion. It’s critical to understand the elements that make it effective and know how to employ them. In this article, that’s what we’ll examine—plus, how to use Scrivener to make sure all those elements are present.

Consider this: as writers, we employ words. We harness their power and send them out to do a job. So, just like any productive employer, we must choose our operatives effectively and manage them well. In this article, we’ll take a look at some of the ways words can fail and how to avoid that.

Are you wondering what Dan Brown’s MasterClass is like and if signing up would be a good move for you? Do you want to learn how to craft a thriller that works or add suspense to your writing? I recently had the opportunity to take a MasterClass from the man who wrote one of the world’s best-selling novels, The Da Vinci Code, and I’m here to share my thoughts about the experience and give you a peek into what I learned.

Have you ever been told by some well-meaning soul that writing can’t be taught? Have you heard that the ability to create beautiful sentences and convey a heart-wrenching story is inborn, and you either have it or you don’t?

The Argentine writer and poet Jorge Luis Borges said, “Art is fire plus algebra.” That flame blazes in all of us, and can be fanned by passion and dedication. What’s more, we can apply the algebra through deliberate study and practice.

I believe writing can absolutely be taught and learned. Here’s how.

Are you making the most of your writing, sharing it in all possible formats and getting it in the hands of readers? Your writing is more expansive than you might imagine. Here’s how to make the most of it.

So you wrote a novel. Now what do you do with it? The life of an indie writer is rife with challenges. When it comes to publishing and marketing a book you’ve written, there are countless decisions to be made and lots of work to be done.

Why are games of Hide and Seek or Tag so appealing? I think it’s because they play with our emotions and instincts as hunters and hunted. They stir the elemental embers of our flight response. As an adult, you may not indulge in actual games of tag, but I’ll bet you still love to participate by proxy in the pages of a thrilling book or on the screen.

As a writer, learning to use a chase story, also known as the pursuit plot, will strengthen and diversify your toolbox and may help you create an awesome book.

Imagine The Shining taking place in a shopping mall. Or the movie Se7en set in sunny Florida. It just wouldn’t work. Setting plays a vital part in the success of these stories, and it should in your stories, as well.

A thriller is not just a rollercoaster ride, but like a whole day at a theme park with head-of-the-line privileges. Ride after wild ride with maybe just enough down time to eat a corndog and take a bathroom break. The necessary ingredients for a thriller include conflict, tension, and suspense, all tied up in a nice, twisty package.

What do readers demand from the stories they read? They expect to be entertained, to learn something, to be intellectually challenged, charmed, or tickled. Readers want to have questions raised and answered and they love action, chases, and puzzles. But above all, readers read to feel something, to be stirred emotionally.

That’s why learning to craft an emotion-baited hook can be one of the most powerful tools in your toolbox. So let’s take a look at how to do that.

Surprise! In real life, some folks love surprises and others hate them. But one thing is certain—in fiction, you need them. If you want your reader to be captivated by your story, unable to put it down, you need to learn how to write a hook that will draw him through. Grab your reader with something totally unexpected, and you harness his attention to the story you’re telling. At least for that moment.

If you want your readers to not just pick up your book, but keep turning the pages, you need to learn how to write a hook that will draw them through the story so they never want to put it down. Try baiting your hooks with the thrill of danger to keep your readers on the line.

If your aim is to write engaging fiction—stories that people will read and clamor for, even shell out their hard-earned cash to acquire—there is something very important you need to understand. You are an entertainer. And that means you need to know how to write a hook that will capture your reader and keep her turning the pages.

James Patterson has held a top position on the list of best-selling thriller writers for the better part of two decades, so I jumped at the chance to take his MasterClass, learn his secrets, and add to my thriller writer toolbox. You may be wondering if taking the class would be a good move for you. Stick around for my James Patterson MasterClass review and see what you think.

You’ve put a lot of time, effort, research, planning, blood, sweat, and tears into finishing your book—and you’re almost there! And then you’re not. You’ve suddenly lost the thread, wandering off into strange paths, with no idea how to end a story, wrap it up and call it done.

If this has ever happened to you, you’re in good company. It’s a common issue among writers. Try these techniques to solve it.

A heinous murder. A jilted lover. An angry hero determined to get justice. Revenge stories are a vital part of the human experience. Let’s take a look at how to write one of your own.

Has this happened to you? You finish a story and polish it to a shine, compose your cover letter, send the package off to an editor, and wait through an agonizing time period, only to get that form letter saying thanks, but we’ll pass. Your book was rejected.

It’s happened to me. More times than I care to think about. One thing writers who want to publish learn right off is the pain of rejection, and my best piece of advice is to get used to it. There is life after rejection, and you’ve got to be willing to jump up and go at it again. And again.

Have you ever written a scene that didn’t feel authentic or sit right with you? One very possible reason for such a scene is that your character did not act in accordance with their nature. As writers, we sometimes hit a fallback position where we have our character do what we would do rather than acting … in character. We have to remember to write from the character’s personality rather than our own.

I am not a proponent of detailed character sketches—believing, instead, that the character reveals herself to the writer as the story unfolds. However, as we get to know the character we’re writing, it’s important to understand the essentials of her personality. By doing so, we make it easier to understand and portray the shifts that make up the character arc.

Almost any genre you might write in will include some kind of action scene, so it makes sense to learn how to do action well. Action does not always mean a car chase or a shootout, though these are time-honored examples. An action scene can simply be a place in the story where the pacing increases and the movement is external, rather than internal.

As a writer, you’ve probably learned that story is not about what happens. Rather, it’s about how the events affect the protagonist. The plot points may appeal to the reader’s intellect, but you want to go deeper than that, reaching and stirring the coals of a reader’s emotions. That kind of emotional writing is when you make a real connection, establishing something meaningful between writer and reader.

But how is this done? How do you reach beyond the plot points and offer your reader something more? There are a number of ways to accomplish this, but I’m going to focus on one technique that might surprise you.