People are complicated. I know, that’s like saying, “Hey, fire is hot!” but when it comes to characterization, this needs to be said. Our tendency as authors is to stick imaginary people into tiny two-dimensional categories, forgetting that no human being fits into tiny two-dimensional categories.

One of the things that makes humans so confounded complicated is we are not logical.

BOO! It’s Halloween—what better day to write some spooky stories? Sharpen your pencil and take a stab at one of these Halloween writing prompts!

Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.

Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.

Beginnings matter.

We only get one chance to hook our readers, to pull them in, to guarantee they must read on. That’s probably why so many writers panic over how to start writing those first few pages of a novel.

So how do you start a novel? Where is the best place to begin? Take heart, dear reader: in today’s post, I’ll give you three ways to start a novel, a bonus nugget about antagonists, and a key question to ask yourself before you get to work.

2016 is a whole new year, and our goal is to create and maintain writing momentum—but you may need a tiny push to get moving.

Consider this your push. For the next few weeks, I’ll be delighted to share short story ideas with you, and you have my full permission (and encouragement) to use them as you will.

Are you considering taking Neil Gaiman’s Masterclass? Neil Gaiman is a brilliant author, and expert-led Masterclasses are known for being informative and inspiring. If you’re wondering whether Neil Gaiman’s class is right for you, read on for my Neil Gaiman Masterclass review.

For a lot of us, this has been a rough year, a tiring year, a painful year.

Some years carry a heavier toll than others, and this is one of them. Yet in spite of that—or maybe because of it—there’s something you need to do: tell your story. I know how tired you are. I know some of you you don’t feel heard. I know some of you might fear you don’t matter.

You do.

Stories create empathy. Stories bring hope. Stories change history. Yes, even yours—especially when you know how to show empathy in writing.

It’s good to study other writers’ rules, but in the end, those rules were not made for you—they were made for other writers. If you’re serious about being a writer, then you need to figure out your rules of writing and stick to them. This post will show you how.

You know who JK Rowling is. You know Harry Potter took the world by storm. You may even be aware that Rowling had trouble getting published at all. Ms. Rowling has shared a lot of terrific writing wisdom, but in my opinion, these are her eight best rules.

Some of you may have noticed that the esteemed Mr. Gaiman is my favorite living author. Even if he’s not everyone’s cup of tea, it’s hard not to notice him: books, graphic novels, award after award—the man is prolific and very good at what he does. So when I realized he had eight rules of writing, you better believe I beelined to read them. And guess what? They’re fantastic … with a few explanations. Read on for more.

This is a question I hear a lot: How do I start my story? The answer is simple, but not easy. Got your diving mask on? Here we go!

Here’s the underlying principle: your characters are people. People are complicated; I suspect you might know a few. Characters are much the same way. Your reader will relate to them if they behave like people, and for characters to behave like people, they need to be built like people.

You need to know your characters like you do other humans, and these six prompts will help you pull that off.

Let me tell you, sometimes there is drama in the world of publishing. This week, that drama was not only jaw-dropping, but it proved this powerful truth for all of us struggling writers: if you keep reading and keep writing, there is [more]

Greetings, fellow writers. I’m tackling something deeply important today: three questions you must answer if you call yourself a writer.

That’s a touchy statement, isn’t it? Before you light me on fire for typing it, give me the chance to explain. There are two aspects to being ready to publish your book: preparing your book and preparing yourself.

I want you to think back to your favorite book or television show. There may be many things that stood out to you about that story—the plot, the scenery, the outfits, the scope, or something else. There’s one aspect, however, that underpins all those things. One detail which, if missing, leaves your readers unable to really invest themselves in your story: relationships between characters.

Writer’s block. Do the words give you shivers?

I’ve struggled with writer’s block many, many, many times. I know the fear it causes (I’ll never write again, I can’t do this, I will never finish this book, etc.). I also know how to get out of it.

Brace yourself. This won’t be pretty, but if you’re willing to fight, it will work.

Today’s topic won’t be a comfortable one. I’m going to address an issue I’m pretty sure you don’t want to hear—but by the time I’m done, you’ll be armed, better prepared, and stronger than you were. And what is this uncomfortable topic? Self-doubt.

No matter what you do, your doubt as a writer will never go away.

Are you frustrated with your writing? Tired of writing words you know aren’t as good as you want them to be? Frustrated writer, I know why.

A weird thing happens when we finally sit down to write The Book: we expect it to come out as magnificently as we think it should. We see or feel what it should be, and hey—we’ve read and written stuff all our lives, right? It should just come out!

But it doesn’t.

This is normal.