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Sarah Gribble: Super Moderator, Administrator, Story Cartel Course, Becoming Writer, 100 Day Book, Subscriber
Member since May 4, 2016

Sarah Gribble is the best-selling author of dozens of short stories that explore uncomfortable situations, basic fears, and the general awe and fascination of the unknown. She’s currently cooking up more ways to freak you out and working on a novel. Follow her @sarahstypos or join her email list for free scares at https://sarah-gribble.com.

Website: https://sarah-gribble.com

Activity Feed

Evelyn Puerto on How to Write Great Dialogue in a Story

Writing dialogue boils down to one big rule: Make it sound realistic.

You not only communicate every day (unless you’re on a really heavy writing binge), but you hear other people communicating. Dialogue is all around us. Constantly. Sometimes too constantly. The TV blares it. Your favorite novel is full of it. Your family squawks it over dinner.

Inherently, you know how to write dialogue. Sometimes you just have to get out of your own way in order to get it on paper.

Gayle Woodson on Why Hybrid Publishing Might Be Right For You

The point of writing, for most people, is to share that writing with the world. The problem is getting your writing into the hands of readers can be such an intimidating and confusing process that a lot of writers simply give up. This month’s interviewee talks about one option for sharing your writing: working with hybrid publishers.

How to Publish a Short Story: Find Your Publication and Idea

A lot of you have just finished participating in The Write Practice’s 7 Day Creative Writing Challenge. You’re pumped, inspired, enthused. You feel good about establishing a writing habit. Now what?

Now you write a short story and submit it.

This post is the first in a four-part series that will walk you through the process of planning, writing, and submitting a short story. At the end of the series, you’ll have a short story ready for submittal!

How to Keep Writing Through Life’s Big Changes

How do you keep writing through life’s big changes? New houses, new jobs, new babies, even new puppies can throw a wrench into your writing life. It’s so easy to get distracted, run out of time, and lose your writing motivation.

Change is inevitable. It messes with our lives, turns our world upside down. Even through these changes, writers have to write. It’s easy to say you’re distracted, that you can’t write right now. You’ll pick it back up when things have settled down.

But the longer you go without writing, the less likely you are to pick it back up. So what to do?

Why Publish: Iseult Murphy on the Power of Getting Your Writing Out There

Sometimes getting your writing into readers’ hands can seem like a long, arduous process. You might feel lost. You might feel like the “gatekeepers” in the publishing industry are out to get you, hate your work, or are just plain mean.

In this interview, we’re talking with Iseult Murphy about her writing journey, her decision to self-publish, and the power of connecting with other writers.

How to Sell Books: The Introverted Author’s Guide

For years, I didn’t know how I was ever going to sell books. I’m painfully shy and, unfortunately, have a complexion that tends to redden easily. Like lava-covered-tomato red. The idea of calling someone, sometimes even people I know, gets my heart racing. The idea of standing in front of a small group of people and talking is my worst nightmare. And don’t even get me started on going to conferences and the like. Oh, the terror.

None of this is really news for writers. “Writer” and “extrovert” don’t often appear in the same sentence. Day-to-day our hermitic proclivities aren’t really a problem. We happily plug away at our keyboards in a dark room somewhere and don’t have to deal with another soul.

Until we want to sell our books.

Joyce Carol Oates MasterClass Review: Will This Help You Perfect Your Short Stories?

I was scrolling through social earlier today and discovered something amazing: Joyce Carol Oates is teaching a MasterClass! And on short stories, nonetheless, which happens to be my forte. I’m so excited to have the opportunity to take this MasterClass, learn from an unparalleled literary giant, and write a Joyce Carol Oates MasterClass review.

Leslie Malin on Nonfiction Writing and Why Your Ideas Are Worth Sharing

Nonfiction writing seems like a completely different bear than writing fiction. How do you gather your ideas and present them in a coherent, interesting way? And if someone else has written on the same topic before, should you even bother?

In today’s article, Leslie Malin gives us some great insight into how she came around to writing her first nonfiction book and the lessons she had to learn along the way. And she reminds us that writing nonfiction requires some of the same skills as writing fiction: storytelling.

Writing Prompt: Use Junk Drawers to Discover Your Characters

Characterization is a huge part of writing, no matter how long the story. You need to know the ins and outs of your character’s personality. What makes them tick? What do they want? Where to do they come from?

Sometimes it’s a little difficult to come up with new character traits and idiosyncrasies that aren’t cliché or contrived.

Today, we’re going to have a little fun with character development. We’re going to think outside the box of character questionnaires and try a writing prompt to help us discover our characters through a different route: What’s in their junk drawer?

Christina Weaver on How to Revise a Story and Publish With Confidence

Having to revise your story doesn’t mean you’re an awful writer. It doesn’t mean you’ve failed in any way. Every successful author out there revises their work. They revise before they send it to their publisher and then they go through more revisions after their publisher sends it to an editor.

The bottom line is, as painful as it is, writers need to learn to love the revision process. Or at least tolerate it relatively well.

In today’s interview, we’re talking with Christina Weaver about how to revise a story. Christina may not be in love with revision, but she knows how vital it is to your story.

How Characters Change in Stories (And How to Write Believable Change)

You’ve probably heard this one before: Your character must change throughout the course of your story.

I see a lot of confusion over this concept. Writers can normally nail the change (weak to strong; bad to good; cynical to optimistic) but it often comes from a weird place that doesn’t sit quite right with what we know about the protagonist. Or it’s too big of a change (or too much of a “fairy tale ending”) to be believable.

Let’s take a look at how writers should deal with character change.

Mike Van Horn on World Building: How to Create a Believable Science Fiction World

There’s an old, worn-out adage about writing: Write what you know. Which is fine if you’re writing about the day-to-day life of Earth, but what if you want to write about a world you don’t know? Today, we’re talking with science fiction author Mike Van Horn about world building and immersing your readers in that world.

M MacKinnon on How to Write Paranormal Fiction

Writing fiction with paranormal elements can be tricky, especially in a modern setting. You want your readers to suspend their disbelief and just go with the story. You don’t want them to roll their eyes because the concept of your paranormal world is too far-fetched. Today we’re talking with paranormal romance writer M MacKinnon to get her take on writing paranormal fiction.

Setting of a Story: 3 Ways Going Outside Can Improve Your Writing

Our job as writers is to transport our readers into our stories. A high-octane plot and three-dimensional characters are obviously necessary to accomplish this goal, but so is an immersive setting.

Setting is often overlooked when describing a scene. We all want to move on to the next plot twist and wasting important space on what trees look like will just bore the readers, right?


To draw readers fully into a scene, we need setting. We want them to forget they’re reading and make them experience everything our characters are experiencing.

Sometimes, you can get away with building your setting straight from your imagination. Sometimes, you can’t.

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