Have you ever used a word for years — like, maybe during your thesis defense or in a high-profile report for work — then realized one day that you had it totally wrong? That big word you thought was making you look so erudite was, in fact, working against you. Turns out, coif is not the same as coiffure, and you never even realized it.
No one is immune from this, neither journalists nor poets, essayists nor novelists. The problem often stems from our natural inclination as writers to grab hold of an exciting new word and just run with it. Not only do we end up using words just plain wrong, our enthusiasm leads to overuse as well.
By slowing down just a little bit, recognizing common pitfalls, and inserting some deliberate practice into your vocabulary usage, you can turn this trend around.
When self-publishing a book, every author is faced with the dilemma of creating a book cover that is worthy of their writing.
But most of us don’t have the money to hire a top-notch book design professional, or the tools and skills to create one ourselves. However, there is another way that many authors are finding is much cheaper and will guarantee your satisfaction: Premade book covers.
The epigraph is simply a well-chosen quotation, set at the beginning of a text. Epigraphs can open essays, books, chapters of a book, or even each story in a book—any writing, really, which suggests its theme.
They can, however, do so much more.
After a short primer, just to get us on the same page with a working understanding of the epigraph, and a little confessional angst, you will have a couple of practice challenges to engage your new friends.
Anyone who has dipped their toes into the world of writing novels knows how crucial character development is to telling strong stories. Plot, setting, and dialogue are necessary building blocks of fiction, but your characters are the foundation that your story is resting on—without dynamic characters, no amount of plot twists, fantastical settings, or authentic dialogue will magically transform into a novel that people want to read.
If the success of your novel is in fact riding on the strength of your characters, you need to know who they are, inside and out. More importantly, you need a character with a strong voice, one that can reveal the emotional depths of your story to the reader.
Every author has had to tackle following question at some point, whether it be Shakespeare or J.K. Rowling: Are the heroes of my tale going to be of common stock or noble heritage? Will I create a lower class or upper class character? It has been a heated topic of debate since long before the Brothers Grimm ever picked up a pen, and it’s a debate that continues on to this day.