Today we are going to write a story. A story has a beginning, a middle and an end. A story starts when something happens. A story starts with an inciting incident. An inciting incident is something that prompts action.
Writers’ conferences can launch a career. They bring writers face to face with authors, agents, editors, publishers, and other writers at all skill levels.
But they can feel overwhelming for the uninitiated. With all the offerings, how does a writer navigate a conference to get the most from it?
Polishing a screenplay, or doing a polish on a script, is a part of the screenwriting process that few screenwriters ever go into detail about when asked. Even when plied with liquor. Sure, we’ve all heard writers and producers use terms like “tighten it up” or “give it some polish” or “tweak it for production,” but what do any of those terms really mean?
Let’s break “the script polish” process down into two general goals a screenwriter needs to focus on when sitting down to polish her script. Those two general goals are maximizing impact and minimizing risk.
Not many people like antagonists. The antagonists are supposed to be antagonizing — that’s their whole purpose. They are designed to aggravate the protagonists; to foil the plans of the heroes and create conflict. They are supposed to be a villain for our heroes to defeat, right?
Sure. But what if they could be more?
I subscribe to several writing web and blog sites. I trust them to give me sound writing advice. But sometimes the sheer volume of advice engulfs me, and I feel like I’m in the middle of a tidal wave.
Being overwhelmed can lead to creative paralysis. I work myself into a frenzy trying to apply everything to all my writing right now. Or, I close the computer or put down my pen and count the leaves on my philodendron plant. Neither approach is helpful.
With so much useful writing advice, how do you know where to start?
