by Joslyn Chase |
Whenever I’m planting a clue in a mystery novel I’m writing, I feel so exposed—like I’m waving a red flag and announcing a clue has been served. Experience has helped lay those fears (mostly) to rest. With skillful weaving into the story, clues and foreshadowing blend in or are seen but soon forgotten by readers.
Without spoonfeeding your audience, you must place all the pieces on the table, allowing readers to actively participate in solving the puzzle. When making your first attempts at writing mystery, it can be difficult to find that balance between too much and too little.
Take a look at our best guide to clues and red herrings here.
by Joslyn Chase |
Do you remember how you felt while reading The Da Vince Code or Gone Girl? The sweaty palms, the pleasant shiver, the jaw-clenching tension? Remember how those well-drawn elements of suspense held you in thrall, feathering along your skin, raising goosebumps?
Suspense fiction comes in a variety of flavors, all delicious, and if you have a yen for building suspense in your writing and learning how to create the same kind of reading experience for your own audience, this is the place for you.
In a special series of articles, I’ll be your guide as we dig deep into the elements of suspense that grab readers and don’t let go. These elements apply, regardless of the publishing route you choose for getting your stories out to your suspense readers.
Here, we will learn how you can craft suspense in your own books, starting now.
by Joslyn Chase |
A thriller is not just a rollercoaster ride, but like a whole day at a theme park with head-of-the-line privileges. Ride after wild ride with maybe just enough down time to eat a corndog and take a bathroom break. The necessary ingredients for a thriller include conflict, tension, and suspense, all tied up in a nice, twisty package.
by Joslyn Chase |
So you want to know how to write a mystery novel. I’m delighted to hear it. I’ve been a mystery lover since I hid behind the Lincoln Logs in Mrs. Jenkins third grade classroom so I could finish my first Nancy Drew, undisturbed. Mystery hooked me that day, and has been leading me around by the nose ever since.
by Joslyn Chase |
Recall a time you made an effort to get someone to like you. Did you try to get them to relate to you, or want to spend more time with you? It’s kind of the same way with the main character in your book. Readers finish books when they care about what happens to the protagonist. To accomplish this, you need to craft a sympathetic character.
When you write a book, you’re asking readers to invite your character into their homes, their hangouts, their lives. It’s important to create a protagonist your reader wants to spend time with and that they care about enough to stick around to find out what happens to them.
Without that vital concern, suspense cannot be sustained. And without suspense, the reader will lose interest in your story. I talked about this in depth in my post on suspense.
Today, let’s talk about how to make your readers like—if not love—your characters so that you can sustain suspense in your book.
