by Melissa Tydell |
Conflict is a necessary ingredient for creating an intriguing story. And conflict is an inevitable part of life. Disappointment, sadness, sickness, and death plague us at different points in time and in different ways.
We all have methods of coping with what we don’t understand, of dealing with painful situations in our lives. One therapeutic technique that helps us heal in times of confusion, broken hearts, and deepest loss is simple but so very powerful—writing.
by Melissa Tydell |
First person and third person—you’ve been there, done that. But what about writing in second person? It may seem strange, unconventional, or confining, but playing with point of view is one way to transform a story.
Point of view affects a story in that it allows readers to gain a very specific perspective. The second person is no different. Here are three reasons why you should try writing in second person:
by Melissa Tydell |
After about a year of contributing to The Write Practice, today’s post is my last one.
With a new baby due to arrive in the next couple of weeks, I’m wrapping up my time as a regular contributor—and as with any turning point, it feels like a good time to reflect on what I’ve learned.
by Melissa Tydell |
As I write this, I’m one month away from my due date, the estimated arrival of my husband’s and my first child. At many points in life, we are in a state of looking forward. Anticipation of an event—whether it’s a joyous or devastating one—puts everything in a new perspective. It heightens your awareness, incites excitement or anxiety (or both!), and brings up a lot of emotions.
Whether you’re crafting a fictional story or recounting your own experience, how do you write about a time of anticipation in a realistic, compelling way?
by Melissa Tydell |
I’m not a big traveler. If I want to take a trip, it’s usually to visit family or friends—or to soak up the sun on a beach. Backpack across Europe? Adventure through nature? Not exactly my idea of a vacation. Taking a road trip? Navigating the airport? I usually find it boring, annoying, or downright awful.
But lately, I’ve been thinking about the idea of a journey. Travel is more than just the destination. The process of getting somewhere is often rich with new and memorable experiences. And it has the power to transform us—or in the case of our stories, it’s an opportunity for our characters to reach a turning point, learn, and grow.