by Joe Bunting |
Once you have a great story idea, the next step is to write it. But do you want to take your brilliant idea and then write a book that bores readers and causes them to quit reading your book?
Of course not. That’s why you need to learn how to write great scenes.
Scenes are the basic building block of all storytelling. How do you actually write them, though? And even more, how do you write the kind of scenes that both can keep readers hooked while also building to the powerful climax you have planned for later in the story?
In this post, you’ll learn what a scene actually is. You’ll explore the six elements every scene needs for it to move the story forward. Then, you’ll learn how to do the work of actually putting a scene together, step-by-step. We’ll look at some of the main scene types you need for the various types of stories, and we’ll also look at some scene examples so you can better understand how scenes work. Finally, we’ll put it all together with a practice exercise.
by Joe Bunting |
How do good stories end? In tragedy or triumph? With a wedding or a funeral?
That is the question of the denouement, a literary term that means more than just “the end.”
This article is all about denouement. In it, we will talk about the origin and definition of the literary term, give examples, and talk about where it fits in your writing.
by Joe Bunting |
How do you tell a great story? Perhaps the best way to judge a story is by how good the climax is.
If your story isn’t good, the climax will be muddled or boring. A good story, though, will bring together all the tension that has been building since the exposition into one perfect scene that overwhelms the audience and leaves them in awe.
What is the climax, though? And how do you write a good one?
by Joe Bunting |
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
by Joe Bunting and Sue Weems |
Write from the point of view of an inanimate object.
