What Murakami’s 1Q84 Teaches Us

I recently finished reading Haruki Murakami’s trilogy 1Q84, and it left me with mixed feelings. If you’re to compare any of his previous novels to 1Q84, you’ll be quite surprised. It’s different from the familiar Murakami topics, and his tone and voice have changed in this work too.

Avoiding a description of the content and putting personal preferences aside, there is much to be learned from the Japanese master’s latest work (even though he lost the Nobel race). So here are the lessons I’ve pulled out:

How Fast Can You Write?

I wrote this in fifteen minutes.

How fast can you write? Most new writers slog over their writing. They spend minutes writing a single sentence. They stare at the screen, composing sentences in their heads. Yes, some pros do that too, but as a group, professional writers write fast (or at least faster than you).

What Are Plot Holes and Why Should You Avoid Them

Sometimes when you’re writing, you get so caught up in where your story is going that you’ve forgotten a few details that you previously established at the beginning of your book.

Sometimes those details are smaller, like having a character approach your protagonist from behind when you’ve established that the protagonist is on the top row of the stadium bleachers, and there is no way you can sneak up on them from behind. Sometimes those details are bigger, like a previously-unbeatable monster suddenly being dispatched with ease with a butter knife.

These inconsistencies are called plot holes.

Why You Should Be Excited About Failure and Rejection

I once asked over fifty writers what their biggest fear was. Can you guess what the most popular answer was? It shouldn’t be hard. You’re probably afraid of the same thing.

Writers fear Rejection.

We’re afraid our story—the one we’ve been working on for years—won’t be taken seriously. Worse, we’re afraid our work will be ignored completely.

How do you deal with and the fear of failure and rejection?