We’re all familiar with the term climax in reference to the point of a story where the action has reached its peak, the conflict is at its tensest, and the rest of the plot is a movement towards the resolution.
But did you know that climax also is a figure of speech that you can use in your storytelling?
There are a few characters that we’re all familiar with in television and literature. Most lawyers are terrible people, the black guy who lightens the mood in a horror movie will die first, the high school head cheerleader will be catty (unless she’s the main character), and any pair of cops will have one who goes by the book and one wild card.
These character archetypes, when they’re not main or central characters, can tell the reader a lot about what type of story to expect. They’re referred to as stock characters.
Part of storytelling is creating something memorable. You want your readers to remember your characters, the world that you’ve created, and what happens to those characters in that world. This is nothing new; back in the earliest days of storytelling, before we had the written word, those who were responsible for the oral tradition had to make sure it was preserved.
One of the most effective ways to enforce memory is through repetition, and so one of the most common storytelling techniques was born: the Rule of Three.
I have a couple of guy friends who live together who are Star Wars fans. Calling them fans is actually an understatement.
The Star Wars canon follows the theme of last week with a truckload of characters. But what happens when you take the complete opposite approach, and pare down your cast of characters to one person?
On the recommendation of a coworker, I started reading Ken Follett’s Century Trilogy. The books are apparently known for Follett’s meticulous historical research, but when I first opened Fall of Giants, I was wondering why no one had warned me about the seven-page list of characters.
Seven. Pages. Of character names.
