by Liz Bureman and Sue Weems |
Comedy, as a plot, refers to a specific narrative structure characterized by misunderstandings, mistaken identities, and humorous situations that lead to a resolution and a happy ending.
In the context of storytelling, a comedy plot often begins with a scenario that creates conflict or confusion, particularly between characters who are romantically interested in one another but are kept apart by various comedic obstacles. These obstacles—often fueled by folly, deception, or societal norms—culminate in a series of humorous events that ultimately resolve the conflict, allowing the characters to unite or find happiness.
by Liz Bureman and Sue Weems |
The two best known of the basic plots outlined by Christopher Booker are comedy and tragedy, These two basic plot types make up the two halves of the drama masks that represent classic theatre, and you can categorize most of Shakespeare’s plays into one of the two. Today we look at tragedy story structure and examples.
by Sue Weems |
When I was a kid, I loved reading Choose-Your-Own-Adventure novels that had alternate paths written into the story. If you aren’t familiar with them, they were elementary or middle grade chapter books that begin a story and at key moments, offer the reader a choice: “To go through the portal, turn to page 37. To run away, turn to page 45.”
I loved seeing the story change with the choices, and I reread the books making different choices each time to experience a new story. I’ve channeled my inner adventurer to put together a fun prompt.
by Sue Weems and Joe Bunting |
If you have a main character whose crisis tempts them to veer outside of their values, then you likely have a morality plot. Sometimes the choice is one of selfishness at the expense of others, other times, it is selflessness at the expense of self. But the character’s moral fiber, their soul, is always on the line. Let’s look at how to write a temptation or morality plot.
by Sue Weems |
A little over ten years ago, I had almost a decade of English teaching experience, a couple years paid freelance writing work, several creative writing university courses under my belt, and a few small publications in poetry and nonfiction. A friend’s mom, Mae, had written a query letter for her second novel. She asked me to read it and give her some writing feedback. What could go wrong?
When Mae asked, I had not attempted to write an entire novel or a query letter. I had read thousands of novels and a few letters, but I had not studied the structure and requirements of each. I assumed writing was writing. Surely with a degree in English and a little experience, I was qualified to give good feedback?
Nope. Not even close.
