by Liz Bureman |
Beginning writers often start stories with a ringing alarm clock, following the protagonist’s daily routine. But what if there’s a better place to begin the story? One that will hook your reader and keep them turning the page? Ancient storytellers understood the power of beginning in medias res. Let’s find out what it is and how you can use it for your story today.
by Sue Weems |
Sometimes I have students who say they don’t like to write. I suggest that perhaps they haven’t found a subject or story worth writing yet. Then I ask them if they have any scars.
Inevitably, the stories pour out of them, and they point to their arms, their foreheads, and their legs revealing skateboarding mishaps, fights, and sometimes deeper trauma.
Scars often hold an entire world of story. We wanted something and the pursuit of it left a mark.
Giving a character a scar can be a cliché or it can be a fast-track to deeper character development. When you’re creating characters with scars, execution is key.
by Joe Bunting |
Stories are complicated, twisty, multi-faceted things. At some point, in many of the best stories, it feels like everything is in complete chaos, and then, seemingly all at once, it’s as if the chaos has come to a head in a way that makes everything line up perfectly.
And one of the best tools in a writer’s tool belt is the subplot.
But what is a subplot? How can you spot it in the books and stories you love most? And if you’re a writer, how do you use it to tell better stories?
In this article, I’m sharing everything you need to know about subplots. I’ll start with the definition of the literary term, then show you how it fits into a story structure, examples of some of my favorite subplots, and even tips from my own experience on writing novels with subplots.
by Joe Bunting |
How do you tell a story? Not how do you construct a story, or how do you structure and plot a story? How do you tell a story?
When I think about storytelling at its most basic, I think about our earliest ancestors, sitting around a campfire, sharing stories about their lives, the adventures they’ve been part of, and the history of their people.
This is what narrative devices are about, how you tell the story, and if you’re a writer, the method and perspective of your storytelling is something you must consider.
In this article, we’re going to talk about narrative devices, what they are, the different types found in the best books, plays, films, and serials, and how to use them to tell a powerful story.
by Pamela Fernuik |
There are several ways to reveal who your character is in a story: through how they dress, their posture, and through what they value. But the best way to determine who your character is is through their action.
Not sure what your character might do? Put them through the Starbucks Character Test.
by David Safford |
Ideas always feel fully formed in our minds. But when we sit down to put them into words, the struggle begins. Ideas don’t just morph into narrative form. They resist our efforts, and soon the process of storytelling becomes torture.
Thankfully there are strategies you can use to overcome the stubborn nature of an idea and successfully rise to the challenge of writing a great story.
And one of the best strategies you can use is the Three-Act Structure.