The point of writing, for most people, is to share that writing with the world. The problem is getting your writing into the hands of readers can be such an intimidating and confusing process that a lot of writers simply give up. This month’s interviewee talks about one option for sharing your writing: working with hybrid publishers.
Thrillers are hot right now and have been for some time. They can be intimidating to write, however. If you’re looking to dive into the thriller game, this month’s interviewee has some tips to get you started and keep your readers on their toes.
Nonfiction writing seems like a completely different bear than writing fiction. How do you gather your ideas and present them in a coherent, interesting way? And if someone else has written on the same topic before, should you even bother?
In today’s article, Leslie Malin gives us some great insight into how she came around to writing her first nonfiction book and the lessons she had to learn along the way. And she reminds us that writing nonfiction requires some of the same skills as writing fiction: storytelling.
Ever read about another author’s success and become frustrated? It doesn’t have to be that way. If we can learn to receive author success stories and testimonies with the right attitude, they can be amazing learning tools that will help us become better writers.
There’s an old, worn-out adage about writing: Write what you know. Which is fine if you’re writing about the day-to-day life of Earth, but what if you want to write about a world you don’t know? Today, we’re talking with science fiction author Mike Van Horn about world building and immersing your readers in that world.
Almost any genre you might write in will include some kind of action scene, so it makes sense to learn how to do action well. Action does not always mean a car chase or a shootout, though these are time-honored examples. An action scene can simply be a place in the story where the pacing increases and the movement is external, rather than internal.
