by Melissa Tydell |
I took a poetry class to fulfill one of my workshop requirements for my master’s in Writing and Publishing. Although I didn’t have much prior experience with poetry beyond some teenage scribbles, I discovered a new way of playing with language.
And in the process, I also realized writing poetry helped me to write better, stronger prose. Here are four things I learned about poetry that apply to writing prose:
by Liz Bureman |
We discussed purple prose a few weeks ago, and as Newton’s Third Law of Motion states, for every action, there is an equal and opposite reaction. Or something like that; my college Practical Physics class involved making ice cream with liquid nitrogen. And the equal and opposite reaction to purple prose is beige prose.
by Joe Bunting |
Have you ever felt purposeless? Most people do at some point in life (e.g. teenage years, teenage wandering, mid-life crisis), and as a rule, it is generally considered to be a down point. But what if there’s good to be drawn out of purposelessness?
by Joe Bunting |
Today, I’m thrilled to be talking to Seth Godin, bestselling author of Permission Marketing, Tribes, and many others. Forbes calls Seth a “demigod on the web,” and when I’m feeling uninspired and creatively drained, I often read through Seth’s blog and come away feeling refreshed and ready to create.
Seth Godin’s most recent book, The Icarus Project, is a dare to make art and share it with the world. I personally found The Icarus Project a challenge to finish because I got so many new ideas for how to approach my writing that I had trouble sitting still to read.
Enjoy the interview!
by Joe Bunting |
Every once in a while, I hear a writer say something like, “I don’t need to read. I’m too busy writing to read.” Stephen King would have something to say to this, but I keep quiet. Writing is hard enough. I don’t want to make it harder.
For me, though, reading inspires, instructs, and helps me connect with other authors more than any other habit.
by Joe Bunting |
In short stories and novels, fantasy in particular, readers want to be present or transported to the scenes of the story. One of the best ways to do such a feat is to ‘Evoke the Emotions and Employ the Senses.’
Poetry should be no different.