If you want to write a good (and publishable) short story, start by writing a balanced one. There are five elements of storytelling, and if you focus on one element too much your story can get off-kilter and topple.
These five elements are the building blocks of story, and they are:
To find your voice, you have to take on the voices of others.
For example, here’s a brief history lesson on copying.
Steven Pressfield, when he was first starting out, typed out pages and pages of Hemingway just to get a sense of his pacing, his storytelling, and his voice. He copied him to get into his head and understand how he constructed sentences, and how each sentence related to the ones around it.
I’ve noticed the following two problems in my own writng and in the writers I edit:
1. Too much inner monologue.
2. Not enough setting and description.
This is a problem because the more inner monologue you use, the yonger your writing sounds. I don’t know why this is, but inner-monologue-heavy novels feel younger and more fit for teenagers than novels that give less access to their characters’ heads.
That’s not necessarily a bad thing. Hunger Games is selling millions of copies while Cormac McCarthy is winning awards and living in relative obscurity. We like our inner-monologue-rich novels. But they also feel less like art. Decide whether you want to use it accordingly.
Glimmer Train literary magazine is harder to get into than Harvard. In 2011, Harvard accepted 6.2 percent of applicants. Literary magazines like Glimmer Train often have acceptance rates of under one percent.
So when I asked Linda Swanson-Davies, who founded the journal with her sister in 1990, to chat with me about Glimmer Train and how to get published in literary magazines, I honestly wasn’t expecting her to say yes.
But she did!
I’m so excited to share our conversation with you. I hope it challenges you to consider submitting your work to literary magazines like Glimmer Train, and I hope it provides something of a salve to the soul if your story isn’t chosen. Mine certainly haven’t been!
Enjoy the interview.
For the last two-and-a-half months, I’ve been getting more and more into the work of L.L. Barkat, the poet and author of four books, including Rumors of Water: Thoughts on Creativity & Writing and her book of poetry, InsideOut. Rumors of Water is a book writing in the style of Annie Dillard, which instantly makes me start salivating.
L.L. Barkat is a staff writer for The Curator, a culture magazine based in NYC, and also authors several blogs. My personal favorite of hers is Seedlings in Stone. You probably should subscribe.
I’m so excited to talk to her about creativity, poetry, and how to balance all those projects and dreams we all have. I hope you enjoy the interview!
Count me as one of those people who think that the unfortunately late Kurt Vonnegut is a modern reincarnation of Mark Twain. His books and short stories are littered with barbed, humorous, and wickedly honest advice about the process of writing. Perhaps my favorite piece of wisdom that he bestows is this: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.
Of course, then he goes on to use one at the end of that same book, making the point that Rules only take us so far, even good rules. Without any further ado, my three favorite rules from Kurt Vonnegut. So it goes….
