by Guest Blogger |
Do you struggle with screenplay structure? Especially sustaining momentum in that long second act?
When learning how to write a script, writers are overwhelmingly taught that screenplay structure is all about three acts. The problem with this three act formula, however, is that it often leads to writers running out of steam in act two as they try to fill it with “conflict.” This means act two becomes a series of disconnected events that aren’t really connected and seem to exist just for the sake of “things happening.”
This happens when screenwriters focus too much on traditional three act structure and ignore the building blocks underneath each act—sequences.
by Guest Blogger |
If you’re anything like me, you hope in your heart of hearts that your writing will reveal a Great Truth to your readers, that it will open a doorway to compassion and understanding that will ripple out to change the world. Ah!
The authors who have been most effective in ushering me to that doorway are those whose writing reveals connections between images, ideas, and sensations I otherwise would have missed. Like Annie Dillard’s terrific simple line: “The air bites my nose like pepper.”
How did Dillard come up with such a lively sentence, one that bridges two physical sensations (cold and biting) and scent (pepper)? And how can we play around with unlike sensations to create similes that shine?
by Guest Blogger |
You finally finished writing your book. There’s a glimmer of hope that the end is near. It’s time to pass your rough draft on to an editor to clean it up, right?
Not so fast. Have you revised it yourself yet?
What a lot of bestselling authors and writing coaches will tell you is the hard part of writing a book is not writing the book. The hard part is rewriting your book.
by Guest Blogger |
Let’s be honest. There is no such thing as Writer’s Block.
This is a phrase that we use to describe the frustrating experience of wishing to write without being able to. But there’s no such thing. We say that we have this thing called “writer’s block” and it’s the reason why we’ll never achieve our dreams. As if it’s a contracted disease. But it doesn’t exist.
What we are experiencing is the self-inflicted phenomenon of writers making choices that frequently lead to failure. And knowing that writer’s block is a myth is exactly what you need to beat it.
by Guest Blogger |
I have been opposed to outlining since childhood. I distinctly remember a time in middle school when I was required to write essays and turn in my outline as well. I couldn’t do it.
The necessity of the outline had a paralyzing effect on me—I couldn’t write anything if I had to know everything I was going to write beforehand. I took bad grades on good essays because I refused to do the outline. (To me, that’s like taking points off a bicyclist at the Tour de France for not using training wheels, but my teacher didn’t see it that way.)
I know many writers who say they can’t write without an outline. While it can help people organize their thoughts, I don’t think it’s absolutely necessary for anyone.
