I’m drawn to the dark side of creativity, the fears and phobias we let shut us down. I wasted too many years allowing the blank page to conquer me, doubting each word of every story, and worse, waiting for permission from others to call myself a writer. Now, I’m almost on a mission to save others from those painful mistakes because they’re both unnecessary and abusive.
There are just three times when fear will try to stop you from writing…
I’ve started a new novel, as in a blank page 1 in need of 275 – 400 more pages written to be complete. I’m lucky, because this book is second in a series, so I already have the plot and framework in mind (sort of ). I just require about 70,000+ more words to fill in the blanks.
It’s so simple, but difficult to do.
Fortunately, I’ve completed four other novels and will publish book #4 later this year. I’m trying to apply what I’ve learned in the past to remain more sane this go-round. Let’s discuss three pitfalls I’ve learned with first drafts.
When I heard that author, director and all-around nerd royalty Joss Whedon was reprising his dual roles in the screenwriter’s and director’s chairs for Avengers: Age of Ultron, I came to the theater armed with a notepad, figuring I could take home some stellar writing tips from the guy who poured so much of himself into this film that he nearly died of exhaustion.
Sometimes after people learn I’m a writer, they confess to me in private they have a book inside them. They dream about it and long to make that happen. I know others who talk a lot about writing. They post writerly quotes on social media, links to publishing articles and always know the latest industry buzz. Another set are voracious readers; they can discuss a variety of cool topics or brainstorm story ideas. They love the whole literary scene.
What all these folks share in common is…
I’ve discovered that no matter what so-called good writers say, if you want to write a good and commercial novel, there’s nothing more important than structure.
Here are four more crucial storytelling techniques I’ve learned from the fast and formulaic world of television.
