At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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Sometimes, when I’m having a terrible, horrible, no good, really bad day, I’ll look up from the blank word document on the computer screen in front of me, glance over at the neat, colorful row of Harry Potter books on the shelf, and collapse into a black hole of despair over the fact that I’m not J.K. Rowling.
This is not healthy behavior, I know.
If you are a writer, you know about the voice inside your head that talks non-stop while you try and work on your writing. It may give you advice on how to fix what you just wrote. It may tell you you’re no good at writing and that you should take up a different hobby. It may just distract you.
This voice is your Inner Editor. Here are four ways to control your Inner Editor and keep it from distracting you as you write.
This weekend, a friend of mine invited me to brunch at her house with her roommates and some other folks. We had crepes, and they were delicious (I would recommend everyone make them at their own brunches). We ended up spending a good chunk of the afternoon discussing cards from this Table Topics deck. Most of the questions were terrible conversation starters (“How would you go about ending homelessness?” Really?). But we found one that dealt with movies, and someone mentioned the Toy Story trilogy, which immediately sent all of us into the nostalgia zone. This also brings me to today’s writing tool: anthropomorphism.
What if you can write a novel in 30 days? That’s right, you’ve guessed it, the National Novel Writing Month (NaNoWriMo) is coming up.
Regardless of all haters spreading their argumentative ‘against’ energy around the net like viruses, NaNoWriMo is a shoutout to all writers. It’s like a kick in the butt by your best friend in an attempt to throw reality in your face.
Any writing initiative should be encouraged, and when it’s accompanied by thousands of people who are thrown in the same boat with you, fighting the dragon, climbing the magic mountain, then even better.
Choosing what to write next is the most important decision you can make as a writer. If you choose poorly, you’ll finish your piece and realize no one is interested in reading what you’ve written. Worse, you might have to abandon it in the middle, realizing you never should have started it in the first place.
How do you choose the right project to work on next?
Writing is like building a home in that good writers view from the work of others. They learn, copy, and expand.
Simply put: good writers read.
This short story is by Marla Cantrell and was the winner of our final Show Off Short Story contest. Marla Cantrell lives and writes in Arkansas. She is the managing editor of @Urban Magazine. Most of Marla's stories deal with the South, the characters who populate it...
I was planning on continuing our adventurous foray into the modern use of Latin, but then one of my coworkers sent me this screengrab from her Facebook news feed, and I immediately knew I had to share this with all of you.
Who can pick out the mistake here? I’ll give you a hint: it’s not the semicolon. That’s actually being used properly.
Have you ever watched children play outside? They explore every small rock, dig with their fingers through grass and dirt, run without a worry about time or purpose or direction.
Have you ever listened to children talk? They tell stories in animated tones, ask questions with wonder and curiosity, offer up fresh descriptions and details no adult would notice.
Writing from a child’s perspective pushes you to view the world differently and allows you to write freely—without doubt, without self-editing along the way. Although we have all been children earlier in our lives, it’s often difficult to capture that mindset again. Here’s how to tap into your inner child:
I’m not the biggest fan of driving. Once I hop into the car; the road needs my undivided attention, my heart beats anxiously, and I fear the busy traffic around me. Still, I know it’s a fact of life that I need to drive, so I do it.
I also drive because I know the importance of practice.
Driving a car is much like the art of writing. It takes a lot of practice transform our weaknesses into our strengths. You don’t become a safe and confident driver overnight, you have to practice, practice, and practice some more.
Let me illustrate my point by explaining why I now have an embarrassing scratch on the back of my car.
