How to Revolutionize Your Character Motivation

by Sue Weems | 13 comments

Whether I’ve blown it at work or reacted poorly at home (hypothetically of course), I often need a fresh start. Why? Because I’m human and I have a tendency to get in a rut. Sometimes my ruts are grounded in bad habits or faulty beliefs. Speaking of habits and beliefs, those are also the sources of character motivation in my stories.

How to Revolutionize Your Character Motivation

It’s not great for me as a human being, but it’s terrific for fiction. The first step to making a fresh start for me or my characters? Figuring out our default settings.

I recently received the developmental notes on a novel I wrote last summer. One of the biggest problems deals with the main character. I have comments sprinkled through the manuscript such as, “I’m not sure what’s motivating her here” and “Why’d she react that way?”

In a few instances I know why, but in other places? I’m not sure what’s motivating my character other than my need to move her from point A to B.

How the Past Informs the Present

I’m not the kind of writer who revels in completing long, drawn-out character sketches or questionnaires (short or long). I don’t have my students complete them because while it is important to know the character and world, most students struggle to separate the character sketch from the story. It's painful for a reader or writer to wade through six (or sixty!) pages only to find the story actually starts on page seven (or sixty-one).

My writers often have a hard time cutting those first six pages and working the backstory into the action in more natural ways.

The Key: Find the Defining Moments

Instead of a long character analysis, I identify or create the defining moments in a character’s life, and I uncover the memories that the character falls back on in a crisis.

For example, if my character has been betrayed by a close friend, she might be hesitant engaging new people. If my character’s family experienced a horrific house fire, he might be irrational around fire or smoke. (Yes, these are cliche and perhaps a bit obvious, but you get the idea.)

If you are writing a new character, try creating the character from the point where he’s making a fresh start.

Think through why he needs a fresh start—what rut is he in? I bet you can come up with a terrific list of ruts: driving too aggressively, bitterness, resentment, explosive anger, dysfunctional relationships, irrational fear, and so on.

Ask a few questions:

  • When did this character first fall into this rut? What was happening at the time?
  • Who were the character's role models (positive or negative) during that time?
  • What is the character getting out of continuing the pattern? (Oh yes, they're getting something out of it.)

Keep in mind your answers to these questions are not the story. They are the engine that drives your character forward when under pressure. As a bonus, that bad habit or faulty belief will likely hold him back from what he wants, too.

Where to Put Defining Moments

When we first begin writing fiction, we usually dump the backstory at the beginning, because it feels like the reader needs to know it. The result? It confuses the reader and muddies our central conflict.

Where should we introduce those defining moments that motivate our characters? In real life, and in great stories, they reappear exactly when we don’t want them to—in the heat of the moment, when we’re hurt or angry or lost.

Defining moments can be referenced by another character (“You looked just like Mom when you yelled at him”) or in character’s thoughts (He reminded me of the summer in Sicily when I lost…). Memories resurface in sensory experiences like smells or sounds.

Let the tinkle of a wind chime unnerve her or the smell of honeysuckle cause a physical reaction. Ground those moments in the action.

How to Revise Character Motivation

What if you’re revising a character, like I am? I’m starting with the scenes where she reacts to conflict in a strong or unusual way to identify the patterns of behavior.

In my novel, the inciting incident is in a hotel restaurant where the main character is kissed by a stranger in front of a table of her husband’s work spouses. She slaps him in response.

Some characters would laugh it off. Others would shove him away. What prompts her to slap him?

That is what I need to identify and make consistent through the draft. If possible, I want the memory to relate to my theme for maximum impact.

When we interrogate our characters to find their motivation, our stories become stronger reflections of the human experience. Motivation builds resonance with readers.

What is motivating your characters? Do they need a fresh start? Which moments and memories define them? Let us know in the comments.


Choose a character from your work in progress or create a new character based on someone you know with a bad habit or faulty belief. For fifteen minutes, unpack the defining moment that contributed to the habit or belief. It might be a scene from his past or a summary. Share your practice in the comments and encourage each other.

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Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website.


  1. PJ Reece

    Sue… great stuff! Thanks. A character’s belief system may be the single most important info we can have about the protagonist or even about the story we’re writing. I always refer back to the film “Moonstruck” where the protagonist Loretta (Cher) is shown to have turned her back on true love. That’s her “new start” because she has been hurt by love. So now she’s going to marry some dullard just to play it safe. And the writer makes the whole story about her realizing the stupidity of her stupid belief.

    And “Casablanca” — the American Rick Blaine (Humphrey Bogart) is shown to not care about anyone but himself. Because he, too, was previously dumped by his one true love. Once again the writer lets the plot serve to dash that bogus belief. He becomes almost a saint in the end, making a huge sacrifice.

    So I’ve come to believe that a protagonist isn’t so much a person with a “goal,” but rather a person who has a belief system that must be trashed. That’s the writer’s job. What say ye?

    • Sue

      Great examples! I do agree that the belief system has to be upended, but there is also an external goal, even if it is a false goal (something they THINK they want). I think of the quest narrative where there is always some kind of grail, but what the character needs is always better self-knowledge. Thanks for chiming in!

    • Beth Schmelzer

      Sue, you always motivate me in my search for answers about my writing and my characters. As the school year ends, I am immersed in many volunteer literary projects. These projects energize me.

      Just want to take a moment to compliment you. Your students receive a huge advantage when they take your writing classes. Feel confident in your skill of sharing your time and expertise to help us and other fledgling writers. My lucky day when I met you online! Will print out your writing advice today and find my character’s motivation and subsequent actions.

    • Sue

      Thanks so much, Beth. Your kindness is always a treasure. Good luck with those characters!

  2. Sebastian Halifax

    The first story arc of my series is basically my main character’s backstory.

    • Sue

      Hi Sebastian,
      By backstory do you mean full history? Or significant event that drives the rest of the series? Congrats on identifying it clearly for your character. Thanks for stopping by to read and comment.

    • Sebastian Halifax

      To clarify, it’s a significant event that drives the series.

  3. Bobby C. Ivory

    Usually, when i have a recession,i feels bad, and then i recourse to a custom writing service, so its help me. And i can set an example where a character gets a fresh start. I mean “Yes man” with Jim Carrey. He suffer a long time, and once, he decided to change his life. He started always say “Yes” in a difficult situations and thereby, his life changes in a better way.

  4. Farah DY

    Interestingly, I’m writing a story where one of the main characters lost his motivation to achieve his dream and the other, who is his best friend and working towards the same dream, is trying to help him revive the motivation. I’m currently stuck in a part where the first main character is ready to give up but his friend is trying to stop him from doing that, and this post made me rethink about both of my characters and their intentions. Great post this is!

    • Sue

      Glad it helped. Good luck as you revise!

    • Beth Schmelzer

      Your idea is intriguing. Please post your story!

  5. Donna Rockwell

    I have written a novel about 100,000 words and after learning a few important tools of writing, I think I need to cut out the beginning 10-15 pages and start after all the back info leading up to it. I thank you all for your insight.

    • Sue

      You’re welcome! Thanks for reading and commenting.


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