If you’ve ever written an essay or research paper, you’ve probably been told not to use contractions. However, what about contractions in writing? When you’re writing a book, can you use them? Does this differ in academic writing and scholarly writing?
Contractions are a type of informal writing, and yet, they sound far more natural in conversations, or narrative driving a fiction book.
But first, what are contractions? Is there a contractions list?
Knowing how to use contractions is an important grammar rule. And when you know how to use them properly—and when to ignore them—you’ll probably write a better story.
What Are Contractions? Contractions Definition
A contraction is the shortened form of a word. It combine two words—almost always a noun with a verb—linked with an apostrophe into one, shortened word.
Examples of contractions include it’s, wasn’t, haven’t, and hundreds more (see our contractions list below).
We use contractions every day, usually without noticing them. Why? Because contractions are simple, easier to pronounce, and part of our vernacular.
However, if you think contractions are a modern invention, proof that the English language is going to the dogs, you couldn’t be more wrong.
A Brief History of Contractions
Contractions have been around for a very long time—in English, as far back as the creation of the language itself, when the Angles and Saxons invaded the British Isles and mixed the local Celtic dialects with their Germanic languages (the Germans love contractions and compound words).
Since then, the list of contractions continued to expand, usually brought by invaders or imported during cultural movements. For a full history of contractions, read this excellent article.
Should Contractions Be Used in Writing?
You might think contractions can’t be used in the canons of literature, but this conversational approach appears in literary masterpieces, from Beowulf to Moby Dick to Great Expectations to Ulysses to modern bestsellers and more (see examples below).
Even the Chicago Manual of Style recommends the use of contractions in writing, saying, “Most types of writing benefit from the use of contractions” (5.103).
However, the reality is that contractions have been used in English writing for over 1,400 years. And yes, they’re even used in scholarly articles (it’s about 2,750,000 times, can’t about 3,290,000 times, don’t about 4,270,000 times).
What are some of the most common contractions? I’m glad you asked:
Unsure about which contractions you’re using or should be using? Below is a list of commonly used contractions that will help your narrative carry a conversational tone (you can find a full contractions list here):
I am = I’m
You are = You’re
They are = They’re (not to be confused with there or their)
Do not = Don’t
Would have = Would’ve
She would = She’d
He would = He’d
Will not = Won’t
Cannot = Can’t
Should not = Shouldn’t
It is = It’s (not to be confused with its, the possessive)
Is not = Isn’t
The following three-word-contractions aren’t as common (at least in writing), but they are awesome:
Might not have = Mightn’t’ve
Should not have = Shouldn’t’ve
While experts often discourage the use of contractions in formal communication, you’ll probably find contractions of verb phrases used in business or casual conversations—or scenes like these in books—since contractions make for an easier, more casual tone.
Sentences like these sound more natural, and therefore more personal. Like everyday speech.
Let’s look at some examples that model this.
Examples of Contractions Used in Classic Literature
Contractions can be frequently found in literature, both modern and classic.
Here’s a list of contractions we found in the literary canon.
Please note that while some say contractions should only be used in dialogue, these examples of contractions were found both in dialogue and normal prose.
From Herman Melville’s Moby Dick, Chapter Three:
It’s the Black Sea in a midnight gale.—It’s the unnatural combat of the four primal elements.—It’s a blasted heath.—It’s a Hyperborean winter scene.—It’s the breaking-up of the icebound stream of Time.
From the fourth paragraph of Great Expectations by Charles Dickens:
I earnestly expressed my hope that he wouldn’t, and held tighter to the tombstone on which he had put me; partly, to keep myself upon it; partly, to keep myself from crying.
From Benjamin Franklin’s memoir, The Autobiography of Benjamin Franklin:
He reply’d,* that if I made that kind offer for Christ’s sake, I should not miss of a reward. And I returned, “Don’t let me be mistaken; it was not for Christ’s sake, but for your sake.”
From The Picture of Dorian Gray by Oscar Wilde:
It’s absurd to talk of the ignorance of youth.
Ulysses by James Joyce:
Twelve. I’m thirteen. No. The chap in the macintosh is thirteen. Death’s number. Where the deuce did he pop out of? He wasn’t in the chapel, that I’ll swear. Silly superstition that about thirteen.
*Anyone know what this is a contraction of, if it is a contraction at all? I found this by chance and am not familiar with it.
Examples of Contractions in Contemporary Literature
Contemporary literature all but throws out the so-called “rule” not to use contractions in writing. Here are several examples of the way many bestselling and prize-winning authors use contractions.
The first two sentences of Neil Gaiman’s American Gods:
Shadow had done three years in prison. He was big enough, and looked don’t-[mess]-with-me enough that his biggest problem was killing time.
From the first chapter of The Name of the Wind by Patrick Rothfuss:
They’d been coming to the Waystone every Felling night for months and Kote had never interjected anything of his own before. Not that you could expect anything else, really. He’d only been in town for a year or so.
From Pulitzer-Prize-winning author Michael Cunningham’s By Nightfall:
There’s no accounting, in retrospect, for this lapse in the Harris tradition.
From The Dinner by Herman Koch**:
Unhappiness can’t stand silence—especially not the uneasy silence that settles in when it is all alone.
From the Pulitzer-Prize-winning novel, Wonder Boys, by Michael Chabon:
Over the years I’d surrendered many vices, among them whiskey, cigarettes, and the various non-Newtonian drugs…
**This is an English translation from the original Dutch, but since Dutch is a Germanic language, I think it’s safe to assume the original uses contractions.
Should YOU Use Contractions In Your Writing?
If you’re like me, you learned not to use contractions in school. In fact, I spoke with a friend who was trained as an elementary school English teacher, and she was taught to actively discourage students from writing with contractions.
Personally, I think the no contractions rule is outdated and actually ignorant of the historical foundations of the English language (again, contractions were in Beowulf, people!).
I will say that if you’re writing formal essays in high school, college, and grad school, you should probably avoid contractions, if only so you don’t ruin your grade.
However, if you’re writing something creative, and especially if you’re writing dialogue, you need to be using contractions.
Real people use them, and so should you.
More Contractions Resources
- Cool Chart of Common Contractions
- Exhaustive List of Contractions (Wikipedia)
- Did the Coen Brother’s Get Contractions Right in True Grit (Grammar Girl)
- 9 English Contractions You Should NEVER Use
How about you? Do you think contractions should be used in writing? Why or why not? Let us know in the comments section.
To get a sense of how weird it is to not use contractions, write a scene using the following prompt without using a single contraction.
Prompt: A couple is on their first date at a trendy restaurant. One is allergic to shellfish, the other can’t stand brussel sprouts.