There are all kinds of words that seem to pop up in your story while you’re writing the first draft. They can make your writing sloppy, cause confusion, and take up space, sometimes all at once. Some call them “filler words,” others “weasel words,” or any other variation of the term. I think we can all agree, though, that these words are tricky and must be destroyed. But how do you identify these words?
How do you write something that makes your readers cry? Something that sends chills down people’s backs? Prose that explodes in your readers’ imaginations?
How do you write books that sing?
The fact is you don’t write books that sing. It’s impossible. Instead, you edit them until they sing whether they want to or not.
Participating in a writer’s group can make a big difference, helping you improve your skills and giving the support of a community. But despite the benefits, it can be hard to get a group to stick it out for the long haul. People run out of work to submit, or something in the group dynamics doesn’t mesh, or one by one your members start slipping away like you’re in an Agatha Christie novel.
But it doesn’t have to get that way.
How many times do you edit your novel? I’ve asked several people this question and gotten varied results: three times, seven time, ten times. Some even edit as they write. I edit my novel five times. Every time I use what I call, “The Five-Draft Plan,” I get good results. Every time. What is “The Five-Draft Plan?” Read on and you shall see.
If you critique other writers work, your own writing improves. Everyone knows that.
But can critiquing make you a better person?
In my experience, it can!
ou’ve been told over and over that we writers must read to improve our craft. Over at the Write to Publish course, we’ve been practicing critiquing. I’ve learned writers can’t just read, we must critique!
