by Kellie McGann |
I see this in comments on The Write Practice all the time. “I want to be a writer, but I know nothing about grammar.” I don’t have a degree in English or Journalism, either.
I am, though, a writer. For those of you who have decided you are a writer too, you don’t need a degree in English or be an expert in grammar. There are a few grammar hacks I’ve learned that have helped me.
by David Safford |
If you’re a writer, you’ve probably received feedback. While some writing feedback is easily processed (like quick compliments), the best feedback takes time and energy to deal with. Receiving a flood of critiques can feel good at first. But after reading a deluge of opinions and observations and judgments, it can get really overwhelming.
Here’s how to organize the feedback you receive so you can approach the next draft with confidence!
by The Magic Violinist |
We’ve all been in this situation: you write a first draft, or the beginning of one, and it seems like nothing is going well. All you want to do is give up and throw everything away. It can be extremely tempting, and while it’s okay to give up on projects sometimes, you should never throw anything away.
by David Safford |
Point of view is the vehicle that drives a story. Get it right, and your novel hums along smoothly and your reader never notices.
Get it wrong, however, and your book becomes an unbearable clunker rife with confusion.
Shawn Coyne, author of The Story Grid, has read a lot of critically acclaimed and successful books, and noticed something about their point of view. All of these books used a specific style of narration, and you can use it too.
by Joslyn Chase |
Surprise! Okay, that probably wasn’t very surprising. How do you surprise your readers? And how do you create the slow burn of suspense, keeping them on the edge of their seats as they tear through your story? Let’s talk about how to make a story suspenseful.
by Sue Weems |
A few months ago, I posted an article about avoiding clichés here on The Write Practice. The (bland) title I proposed was “How to Avoid Clichés.” The published title read: “How to Avoid Clichés (Like the Plague).” I grinned when I read it and said another thank you to a quiet hero of the publishing world: our editor.
She amped up the title with a clever twist that sounded just like me with my penchant for parentheses. Editors are invisible heroes in the publishing world, and knowing what they do can help you through every stage of your journey.