by Alice Sudlow |
Of all the nuances of grammar in the English language, this is my greatest pet peeve. No, it’s not “its vs. it’s.” It’s not “there, their, and they’re.” It’s not even the Oxford comma.
Let’s talk conditional sentences.
by Liz Bureman |
We all know there is a difference between I and me. Simply put, “I” is a subject, “me” is an object. Generally speaking, there aren’t any issues when you’re only referring to yourself.
The confusion starts when your first person character is joined by third person companions.
by Emily Wenstrom |
There’s no feeling quite like the moment you realized you’ve completely finished the rough draft of a work in progress. A mix of pride and accomplishment and utter dread at how bad it might be.
by Liz Bureman |
Oh, relative pronouns. You crazy, crazy kids. You can cause so much frustration with your misplaced thats, whos, and whichs. Let’s have a chat and sort you all out, shall we?
Let’s say you’re telling a story about Weston, a neurologist with a bionic elbow. When do you use which relative pronoun?
by Liz Bureman |
We’re tackling one of the less obvious grammatical foibles today. Did you know that there is a difference between lay and lie? Because there is! Let’s explore.
Other than the definition of “to tell an untruth,” lay and lie are often used interchangeably. But lay is a transitive verb, meaning it requires a subject and one or more objects. Lie, on the other hand, is an intransitive verb, which means that it doesn’t need an object.
So if you wanted to say that you (the subject) lay on the floor (the object) in the fetal position all day yesterday, that’s correct. If you said that you lay in said position all day regularly, that would be wrong.
by Emily Wenstrom |
First off, if you’ve recently completed a rough draft (via NaNoWriMo or otherwise), congratulations. Really. A big, whooping, stand-up, slow-clap congrats.
Writing a book’s rough draft is a big feat. But then it’s time to get down to business again, because rough drafts are called “rough” for a reason.