When writing first drafts, a common piece of advice is write fast—just get those ideas on the page so you can take a proper look at them before you start letting your editor start messing with them… Write fast, analyze later. NaNoWriMo is great for creating a structure to force this practice.
There’s some great reasoning behind this practice… but fast firsts aren’t for everyone.
Red herrings are staples of the mystery and suspense genres, but they also can pop up in myriad other works and genres. But what is a red herring? Find out…
How do you dramatize non fiction? Isn’t real life already wild and crazy enough? And isn’t that why we have fiction in the first place, so that we can be superheroes and E.S.C.A.P.E. our dull routine realities?
Yes, and yes, BUT. The role of literature, in my and many other authors’ humble yet strong opinion, is to reflect social trends and preserve cultural ideals. To inform, inspire, and innovate. The stories we write and read shape our culture and society, our minds and our lives. This is why I insist with the ferocity of a Category 5 hurricane on quality, beauty, and impact.
The reason I write is to open minds—including my own. For me, the most potent way to do that is by mixing up fiction and real life. So let me tell you about The Visionary.
I’m sure you’re familiar with the game Telephone? A group of people get in a circle, and one person comes with a silly phrase like, “The Orange Monkey Eats Green Bananas.” Then, the phrase is whispered from one person to the other around the circle. Each person can only say the phrase once and the listener can’t ask clarifying questions, like, “Did you mean Orange Monkey or Oral Moon Sea?” When the last person has to repeat the phrase, it’s inevitably ridiculous, usually something like, “The Horrible Pokemon Seats Green Cabanas.”
People mishear things all the time, and the game telephone proves it. When something is misheard, the resulting word or phrase is called a mondegreen.
Even when you ask for it, when people critique your writing it can feel like a dagger to the gut. It can knock out your confidence and even cause you to question whether you should ever bother picking up a pen again.
I’m just going to say it. Stephenie Meyer is not a good writer. Cue the defensive comments below.
I’m not talking about her storytelling. Like I said, I haven’t read the books. I don’t know how Stephenie (good lord, all those e’s) puts together her paragraphs to form a cohesive narrative. I’ve only read excerpts. But you know what? You don’t need to know the storyline to critique poor sentence structure.
Here are my three arguments against Twilight.
