by Matt Herron |
You’re ready to start drafting.
At this point, you’ve been introduced to the important pieces of Scrivener’s user interface; you’re familiar with the essential plot and structure principles, including why you should break your story out into component scenes, which Scrivener excels at; you know how to create character and setting sketches using template sheets; and you have a complete account of my storyboarding process for planning stories and getting unstuck while you’re writing.
In other words, you have all the tools you need to start drafting your story.
by Pamela Fernuik |
Once upon a time there was a…? There was a…? What was there? This is not a rhetorical question.
I really, really, really, want you to answer me. Once upon a time there was a…? You can’t think of anything? Okay then, lets play a story game to train our imagination, have fun, and maybe win a prize!
by Ruthanne Reid |
I’ve “won” NaNoWriMo six times (and only published one major work and two novelettes, so this is not a boast). On far too many occasions, I’ve completed my work, gotten my goodies, and then done nothing at all with the novel I wrote. Sometimes, I lost momentum entirely; I’ve even ended up blocked. I don’t want that to be you.
by Joe Bunting |
Why did you first have the idea to become a writer? I could be wrong, but it was probably because you read a book that touched you so deeply, that pierced you to your core, that you thought, “Wouldn’t it be amazing to inspire this feeling in others?”
by Emily Wenstrom |
NaNoWriMo demands a sudden burst of high capacity creation—it’s like sprinting a marathon. This works for some people, but if you’re not one of them, don’t feel bad. Try leveling up instead.
by Ruthanne Reid |
When we read, we change our world, and we write because on some level, we want to do the same for others. Do you want to write something that affects others the way you were affected? Then you have to learn to read like a writer—with your brain turned on.
