Are you considering taking Neil Gaiman’s Masterclass? Neil Gaiman is a brilliant author, and expert-led Masterclasses are known for being informative and inspiring. If you’re wondering whether Neil Gaiman’s class is right for you, read on for my Neil Gaiman Masterclass review.
Writers write to get a reaction out of their readers. No matter the genre, you want your reader to feel something when they read your writing.
For horror writers, that feeling is fear. But it’s also so much more than that.
Great horror stories take the everyday creepy and turn it into something even more creepy (and often become a condemnation of injustices in society). And then, the great thing is, horror stories teach you that those creepy things can be beaten. That’s what keeps bringing the readers back.
And that’s why horror writers keep churning out the fear.
Maybe you love writing scary stories. Maybe you don’t, but this is something you’d like to take a whack at, just for practice (we’re fans about that around here!).
Just like reading outside your genre is valuable to mastering the writing craft, so is writing a scary story.
This story doesn’t have to be long, it could be a short story. Try for something you can write in one sitting, like 1,500 words.
To get you started, use one of the Halloween writing prompts suggested in this article. Then let loose, and have fun!
If you’re like me, you loved the Harry Potter series. Maybe you watched the movies or even visited the theme park, and you wondered about JK Rowling’s writing process and the strategy she uses to write her best-selling books.
If you’re like me, though, you’ve also been deeply hurt by things Rowling herself has said. On Twitter, on her website, in interviews, and more, Rowling has promoted harmful views of trans people, and you might be one of her many readers who find it painful, or even impossible, to return to the Harry Potter stories you once loved.
I understand. Before I dive into the wisdom we can draw from Rowling’s writing process, allow me to share a principle with you.
Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.
Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.
People are complicated. I know, that’s like saying, “Hey, fire is hot!” but when it comes to characterization, this needs to be said. Our tendency as authors is to stick imaginary people into tiny two-dimensional categories, forgetting that no human being fits into tiny two-dimensional categories.
One of the things that makes humans so confounded complicated is we are not logical.
