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Some books on writing claim that a past-tense, first-person narrator can’t be killed off during the story. The reasoning is that if your narrator is narrating in the past tense, he has to be alive at the end of the story, or he wouldn’t be telling it.
Is that true or false?
It’s complicated, but it’s not 100% true.
If you want to learn how to be a super hero, you need an alter ego, but alter egos are everywhere, not just among those with super powers. The protagonist in your novel, whether super or not so much, can have an alter ego, too. In fact, alter egos are a great characterization strategy.
In short stories and novels, fantasy in particular, readers want to be present or transported to the scenes of the story. One of the best ways to do such a feat is to ‘Evoke the Emotions and Employ the Senses.’
Poetry should be no different.
You have a story you’re afraid to write.
You know the one I’m talking about. The big one. The dangerous one. The one you’ve been putting off. The one you just don’t have time for.
Did you see them? The people in the car in front of you. The person at the table next to you.
All around you are people. Each one of those people has a story. Each one of those stories needs to be told.
So we all know that typos are the worst! Terrible! They eat babies! They are AIDS! Etc, etc.
Now that that disclaimer is out there, there are some typos that I secretly love. And those are the ones that (unintentionally) completely change the meaning of the sentence because they end up being a totally different word. Those can be hilarious.
It’s interesting to note that past and overexplored themes keep coming up in new writing, like: world wars, civil wars, racial discrimination, idealized love affairs, and romanticized train journeys etc. etc.
All the mentioned topics are interesting and it seems they have a bigger appeal because they happened in the past, a time marked in literature, history, film. Yet, only because those times seem far away and something not personally witnessed it doesn’t mean the present should be annulled. You own the present, and living it should consequentially shape up majority of the stories you write. What seems boring to you now may sound intriguing to the future generations.
One of my favorite pastimes is discovering real-life situations that, if seen in a fiction story, I would find totally unbelievable.
I recently read a novel that, on the surface, was nearly perfect. It had an action packed plot, a love triangle, and a feel good ending.
However, as I read, I noticed that every time a major conflict in the story would come up, the author would back off. She would briefly show the conflict, but then skip on to the next scene, leaving you, the reader, to sort everything out. It was almost as if the author knew she needed conflict, but was so uncomfortable with it, she wanted to slip the conflict into the story and get out as soon as possible.
Some of the best stories in history have words that the authors made up themselves. Think about Harry Potter and the words “muggle” and “squib.” Think about the Lord of the Rings. J. R. R. Tolkien not only created words, he created languages.
Have you ever thought about creating a new word to use in your story? Here are two ways to create a new word.
