Writing your story’s climax isn’t easy. And even when you outline it properly, including a great villain and a high-stakes task, putting it all into words can be quite a challenge. Perhaps the most challenging part of it, though, isn’t getting the words down. It’s getting the right words down.
Every great heroic story has that moment. It’s the deep breath before the plunge. The calm before the storm. The quiet before the calamity. In the Hero’s Journey, it’s the Approach before the Ordeal.
It’s an essential moment you need to plan for and build around as you draft your story. And to do it right, you’re going to need to figure out three key elements.
Have you ever faced this kind of issue? You have a scene goal in mind, you know the characters involved, where they are and what they want, but HOW does the scene play out? What exactly happens to bring the characters from Point A to Point B in the story?
That’s when the power of improv might come in handy.
Great fiction is built around tension. The bad news is, we experience tension in our own lives every day. The good news is, it’s great fuel for our stories. The question is, how do you create that experience for your readers by building tension in your scenes?
Sometimes I get stuck wondering how to write a scene during a first draft. Or maybe I can’t figure out how to revise a story to make it better. Sometimes I wonder if I am ever going to make any progress in my fiction and life. (Please tell me I’m not alone!)
I’ve been revising this summer, and it’s taking longer than I’d like. I keep returning to the basics of good storytelling to evaluate my scenes, and yesterday, it occurred to me that there are three questions I can ask to clarify almost any scene. Coincidentally, they are the same three questions I usually ask myself to tackle almost any life problem.
