by Joslyn Chase |
Perhaps you’ve heard the old publishing proverb: The first page sells the book; the last page sells the next book. I’m convinced there’s a mammoth grain of truth in that. The beginning and the end of any story are critical elements that you really want to nail.
Today, we’re going to focus on how to start a story—in other words, how you can craft a spectacular beginning that will hold readers spellbound and get them to turn that first all-important page.
by Joslyn Chase |
Whenever I’m planting a clue in a mystery novel I’m writing, I feel so exposed—like I’m waving a red flag and announcing a clue has been served. Experience has helped lay those fears (mostly) to rest. With skillful weaving into the story, clues and foreshadowing blend in or are seen but soon forgotten by readers.
Without spoonfeeding your audience, you must place all the pieces on the table, allowing readers to actively participate in solving the puzzle. When making your first attempts at writing mystery, it can be difficult to find that balance between too much and too little.
Take a look at our best guide to clues and red herrings here.
by Joslyn Chase |
If you’re looking for a surefire way to improve your story, you’ll be happy to know there’s a fast-acting method at your disposal. According to writing expert James Scott Bell, it’s “the fastest way to improve any manuscript.”
I’m talking about dialogue.
But here’s the thing—dialogue is more than just the words you put in your characters’ mouths. On screen and stage, it’s the actor’s job to take his lines and infuse them with meaning, expression, emotion, and so on. On the page, that’s your job.
by Joslyn Chase |
When you sit down with a book, are you hoping for a particular type of story experience? This is a common desire, since readers—know it or not—are drawn towards specific genres and genre conventions.
From a writer’s perspective, knowing these genre “flavors” and how to create them to satisfy reader expectations is key to writing stories that will keep readers coming back.
In addition, understanding the genre conventions and obligatory scenes helps you push yourself farther and reach higher to innovate and twist what’s been done before, astonishing readers…and even yourself!
by Joslyn Chase |
As a writer, you know building a foundation for your story, like a hook and sympathetic character, will allow you to grab readers right out of the starting gate. But once you’ve done this, do you know how to raise the stakes?
While a high stakes beginning grabs readers, it will only excite you and your reader for a few scenes. Without elevating stakes, your reader’s excitement about the plot will wear off if nothing bigger happens. Any interest in your story as a whole will flatten.
It’s human nature. We become inured. But you can avoid this happening by making the path of your book less like that flatland racetrack, and more like a jagged mountain range. With ups, downs, and an overall rise to the finish.
In this article, the word of the day is “stakes.”
As your story’s conflict progresses, the risks to your main character must intensify, keeping the reader invested in turning pages to find out what happens. Once you’ve laid the foundation for high suspense and captured your reader’s attention, you need to up the ante. Similar to the stakes of a hand of poker.
Finding ways to do this is not always easy, but when you put forth the effort, the results can be spectacular!
And there are practical strategies and tips you can use to do this.
