How to Write a Scene: The Definitive Guide to Scene Structure

How to Write a Scene: The Definitive Guide to Scene Structure

Once you have a great story idea, the next step is to write it. But do you want to take your brilliant idea and then write a book that bores readers and causes them to quit reading your book?

Of course not. That’s why you need to learn how to write great scenes.

Scenes are the basic building block of all storytelling. How do you actually write them, though? And even more, how do you write the kind of scenes that both can keep readers hooked while also building to the powerful climax you have planned for later in the story?

In this post, you’ll learn what a scene actually is. You’ll explore the six elements every scene needs for it to move the story forward. Then, you’ll learn how to do the work of actually putting a scene together, step-by-step. We’ll look at some of the main scene types you need for the various types of stories, and we’ll also look at some scene examples so you can better understand how scenes work. Finally, we’ll put it all together with a practice exercise.

How to Raise the Stakes: The Ultimate Guide to Building Suspense

How to Raise the Stakes: The Ultimate Guide to Building Suspense

As a writer, you know building a foundation for your story, like a hook and sympathetic character, will allow you to grab readers right out of the starting gate. But once you’ve done this, do you know how to raise the stakes?

While a high stakes beginning grabs readers, it will only excite you and your reader for a few scenes. Without elevating stakes, your reader’s excitement about the plot will wear off if nothing bigger happens. Any interest in your story as a whole will flatten.

It’s human nature. We become inured. But you can avoid this happening by making the path of your book less like that flatland racetrack, and more like a jagged mountain range. With ups, downs, and an overall rise to the finish.

In this article, the word of the day is “stakes.”

As your story’s conflict progresses, the risks to your main character must intensify, keeping the reader invested in turning pages to find out what happens. Once you’ve laid the foundation for high suspense and captured your reader’s attention, you need to up the ante. Similar to the stakes of a hand of poker.

Finding ways to do this is not always easy, but when you put forth the effort, the results can be spectacular!

And there are practical strategies and tips you can use to do this.

In Medias Res: Definition and Examples To Start a Story in the Middle

In Medias Res: Definition and Examples To Start a Story in the Middle

Beginning writers often start stories with a ringing alarm clock, following the protagonist’s daily routine. But what if there’s a better place to begin the story? One that will hook your reader and keep them turning the page? Ancient storytellers understood the power of beginning in medias res. Let’s find out what it is and how you can use it for your story today.

There’s No Such Thing as Original Stories: You’re Not Original and Why That’s Good

There’s No Such Thing as Original Stories: You’re Not Original and Why That’s Good

Have you ever heard that there are no original stories? As a writer, did this turn your stomach or make you angry?

Although the idea that there are no original stories sounds upsetting, especially for writers, the truth is that every story follows the rule (most likely) of “same, but different.”

That’s a good thing!

If stories were completely original, it would be hard to know if there was a readership interested in them. We want stories that are unique, but that also follow the same conventions and tropes of certain types of stories that we’ve read or seen before.

Doing this means that your story will impact your ideal readers, and here’s why.