by Sue Weems |
Do you argue with strangers on the internet? (I plead the fifth). Even if you have enough self-control not to engage most arguments and comment sections, chances are high that you think through how you would argue with them if you weren’t fairly certain they are a troll in an alternate universe. Also if your mother wasn’t your friend on Facebook.
Are you leveraging those thoughts? Or just rehearsing them, allowing yourself to feel irritated and angry? Put that energy to good use for your writing. Your next character is hiding in the comments section of nearly any forum. Here’s how to find him or her.
by Joslyn Chase |
You’ve put a lot of time, effort, research, planning, blood, sweat, and tears into finishing your book—and you’re almost there! And then you’re not. You’ve suddenly lost the thread, wandering off into strange paths, with no idea how to end a story, wrap it up and call it done.
If this has ever happened to you, you’re in good company. It’s a common issue among writers. Try these techniques to solve it.
by Joslyn Chase |
Has this happened to you? You finish a story and polish it to a shine, compose your cover letter, send the package off to an editor, and wait through an agonizing time period, only to get that form letter saying thanks, but we’ll pass. Your book was rejected.
It’s happened to me. More times than I care to think about. One thing writers who want to publish learn right off is the pain of rejection, and my best piece of advice is to get used to it. There is life after rejection, and you’ve got to be willing to jump up and go at it again. And again.
by Joslyn Chase |
Have you ever written a scene that didn’t feel authentic or sit right with you? One very possible reason for such a scene is that your character did not act in accordance with their nature. As writers, we sometimes hit a fallback position where we have our character do what we would do rather than acting … in character. We have to remember to write from the character’s personality rather than our own.
I am not a proponent of detailed character sketches—believing, instead, that the character reveals herself to the writer as the story unfolds. However, as we get to know the character we’re writing, it’s important to understand the essentials of her personality. By doing so, we make it easier to understand and portray the shifts that make up the character arc.
by Liz Bureman |
Back at the end of April, we discussed using the Myers Briggs Type Indicator to develop your characters. We covered the more obvious personality traits: Extroversion vs. Introversion and Thinking vs. Feeling. I would feel bad if we didn’t take the plunge into rounding out all of the elements of the Myers Briggs test, so here we’re tackling Intuition vs. Sensing and Judging vs. Perceiving, which are often the harder Myers Briggs character traits to explain.
by David Safford |
We can’t wait to get to the climax of a story. It’s the most exciting part, the place with the most action and intense moments. Right?
