Have you ever felt your writing is flat, despite how many beautiful words you use? You might be overusing adjectives and adverbs. Luckily, there is an easy fix—use vivid verbs instead.

How to Use Vivid Verbs to Bring Your Scenes to Life

Although you might instinctively think adjectives will improve your description, strong verbs actually do a better job at electrifying your creative writing.

In this post, you can learn a two-step process to improve your writing skills, and start implementing these tips with a little help from a list of vivid verbs.

The 2-Step Process to Bring Your Scenes to Life With Vivid Verbs

What are some ways to use vivid verbs in the English language?

To improve your descriptive writing, you need to do more than rely on a thesaurus filled with catchy synonyms that may or may not work for your story.

This two-step process to using vivid verbs will help you bring your scene to life.

Step 1: Decide on your message

The fact is, a verb has a lot to say. Just like how action speaks volumes in life, verbs speak volumes in a story. But it’s important that you first decide on what you want to say to your readers. Take the following:

The flower was a beautiful shade of red, its petals full of dewdrops, reflecting the light of the sun.

There is nothing wrong with this sentence—the flower is red, and it is beautiful. But what are you trying to say to your readers? There is nothing beyond the simple appearance of the flower.

Do you want your readers to openly admire the flower itself? Or look at it as something more, like a symbol of love or hope?

Does it represent honest beauty or vanity? What purpose does this flower serve for your story?

Decide on the message you want to convey first and foremost. Then, replace any weak verbs or adjectives with vivid verbs that better enforce that message.

Step 2: Choose the right verbs

People perform their actions with intention. In literature, objects and plants do as well. Once you’ve decided on your message and how you want your object to contribute to the scene, you have to choose the correct “actions” for it to take.

Consider a scene where your character stumbles onto an abandoned lot in an apocalyptic wasteland and is surprised to find living plants growing in it, among which is a shockingly beautiful flower:

The flower brandished its bold red petals, adorned with sun-kissed dew drops.

Suddenly, the flower seems alive. It is still red, and full of dew, but now it’s also prideful, boasting its beauty to the viewer, setting itself apart from the desolation around it.

Action verbs can make great vivid verbs.

Just look at how the dew drops are no longer just water but “adorned” like jewels in the revised example. As if the flower chose to dress up and put itself on display. Even the sun feels more alive with the use of the word “kissed.”

Your character is drawn to this surprising object out of its normal environment, full of life and energy.

Now consider that your characters, a young couple in love, are sitting in a field struggling to confess their feelings. One of them spots a flower that might make a nice spontaneous gift for the other:

The flower blushed under the sun, rouge-red petals hidden under a layer of dew.

See how the flower seems shy, demure and gentle, like a lady consciously concealing her face? The point is further driven home by using the word “rouge,” which invokes the image of makeup. Your characters are in love, and the flower is now a timid third participant, offering itself as a symbol of their affection.

Whether trying to improve your writing in an English language arts class or your latest fiction book, using vivid verbs could make the difference between a mediocre paper or book and a great one.

Getting Started: Try These Vivid Verbs

Sometimes embracing the concept of using vivid verbs is a lot easier than actually coming up with some strong action verbs for your prose.

To get you started, try using some of these verbs in your sentences to inspire actions instead of using adjectives commonly used to describe emotions:

A Brief List of Vivid Verbs

Angry: crunch, grind, yank

Bashful: blush, hide, blink

Cheerful: giggle, chime, skip

Delightful: hug, tickle, sing

Excited: clink, jump, hoot

Fearful: bawl, shiver, whimper

Grumpy: sigh, moan, huff

Hungry: gobble, rumble, crunch

Icky: bump, stink, ooze

Joyous: kiss, squeeze, laugh

Kind: smile, brush, stroke

Loud: blare, screech, blast

Mad: stomp, yell, shake

Nervous: quiver, chatter, scrunch

Optimistic: open, volunteer, lead 

Pride: beam, win, support

Quiet: tiptoe, hush, whisper

Remorse: grieve, reflect, fight

Slow: saunter, plod, stagger

Tough: tackle, stand, lift  

Upset: ramble, speed, squeak

Vicious: punch, claw, bite

Worry: tap, tug, fidget

Zest: scamper, twirl, bake

The Magic of Vivid Verbs

The same object described using different vivid verbs invokes vastly different impressions. Not only that, they can contribute to the atmosphere of a story much more strongly than adjectives. Using description this way can also increase the strength of your story within its particular genre.

A hero heading into battle in an epic fantasy novel might cross a mountain path with trees “bending to acknowledge his might” and a breeze “parting grass and leaves before him to make way.”

In contrast, an old man mourning his lost youth on a morning walk might see trees “bent and tired under the weight of their leaves, strangled by ivy,” and hear the wind “sighing its exhaustion, whispering secrets of days past.”

A good way to get a grasp on the concept of describing with verbs is to think of everything in a scene as a contributing character—objects included. Decide on their purpose and pick the appropriate action, and you have a living, breathing scene.

Do you use vivid verbs to enhance description? Let us know in the comments.

PRACTICE

For today’s practice, describe something (or someone!) with verbs, not adjectives. First, pick a subject:

  • A couple having a fight
  • A horse
  • A rock
  • Something else (your choice!)

Next, choose an emotion from the list above.

Then, write a paragraph about your subject that captures that emotion. Remember to use vivid verbs to express the emotion with action.

Take fifteen minutes to write. Share your descriptive paragraph in the comments, and don’t forget to leave feedback for your fellow writers!

J. D. Edwin
J. D. Edwin is a daydreamer and writer of fiction both long and short, usually in soft sci-fi or urban fantasy. Sign up for her newsletter for free articles on the writer life and updates on her novel, find her on Facebook and Twitter (@JDEdwinAuthor), or read one of her many short stories on Short Fiction Break literary magazine.
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