Today we’re looking at a literary device that you’re probably using in everyday speech, even if you didn’t know the name of it. Let’s define synecdoche, look at some examples, and talk about how you can use it in your writing.
If the semicolon was just a little less top-heavy, then it would be a comma, and rightfully used and appreciated. Sadly, many writers have a confused relationship with the semicolon, not really sure how or when to use semicolons in their lovely sentences.
Don’t worry, little semicolon. Your virtues will not be lost on this audience as long as I have a say in it.
Most of the fun of writing is using your words to tell a story. They course across the page, delighting in the joys of Maureen finally finding her Henry, shuddering as Ingrid uncovers her third dead body of the day, or mourning with Carlos for his lost mother. But I’m not here to talk about words. I’m here to sing the praises of punctuation; specifically, the Oxford comma.
Most people I’ve met have no idea what the Oxford comma is, but it’s probably something that you have used in the past. What is it?
The primary rule of thumb when it comes to affect and effect is the following:
Affect is a verb. Effect is a noun.
Knowing this will generally get you through most confusion between these two words.
Finishing a first draft is a huge deal. If you just accomplished this, be proud of yourself! At the same time, you might be wondering how to revise a novel after that first draft is done. There’s a lot of advice out there. Which do you listen to?
The revision process doesn’t have to be complicated. However, you might feel—especially if this is your first completed draft ever—intimidated to edit your book. There’s a lot of words and scenes to review. Where do you begin?
In this article, I’d like to share how I took a daunting editing process and created a simplified, concise, and clear strategy to revising your first draft. I do this with what I call a Revision List—a table with five columns that can help you simplify big ideas.
If you’re like me, you won’t ever want to edit a first draft without it!
If you want your readers to not just pick up your book, but keep turning the pages, you need to learn how to write a hook that will draw them through the story so they never want to put it down. Try baiting your hooks with the thrill of danger to keep your readers on the line.
