Yeah, like you’re going to see a list of plot types that doesn’t include the Quest. The Quest is a search for a place, item, or person that requires the hero to leave home in order to find it. Sometimes the item is just a MacGuffin to drive the plot along; other times the thing driving the quest is specific to the story’s circumstances. Either way, the hero is leaving home to find whatever the heck the story demands, and we get to come along for the ride.
One reason some stories feel flat is because they are missing the cause and effect story elements that push life (and narratives!) forward. How can you maximize cause and effect in your stories?
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
Everyone loves a success story, especially when it results from years of hard work and the protagonist has struggled from the depths of despair. This story type is so beloved, that it is Charles Booker’s second plot type of seven: Rags to Riches.
If you’ve ever told a good story—one that has your friends or family on the floor laughing, or else on the edge of their seat asking, “What happened next?!”—then you know that you can’t get to the point of the story too quickly.
Instead, you draw out interest. You talk about all the things that went wrong. You make jokes and accentuate the best details. When you’re done, it’s not the punchline people remember; it’s everything leading up to it.
The same is true when you’re writing a story, particularly in novels, memoirs, and screenplays. It’s called the Rising Action, and it’s essential to get it right IF you want to write entertaining, informative, and deeply connecting stories.
In this article, I’m going to talk about the rising action: what it is, how it works in a story, how it’s been treated by scholars who study story structure throughout history, and finally how you can use it to write a great story.
Christopher Booker published The Seven Basic Plots in 2004, and he argues that all stories told in any medium can be categorized into one of seven archetypes. Today, we’re covering the first plot: Overcoming the Monster. Read on to see if this archetype can help you write a better story.
