How do you tell a great story? Perhaps the best way to judge a story is by how good the climax is.
If your story isn’t good, the climax will be muddled or boring. A good story, though, will bring together all the tension that has been building since the exposition into one perfect scene that overwhelms the audience and leaves them in awe.
What is the climax, though? And how do you write a good one?
If you have a main character whose crisis tempts them to veer outside of their values, then you likely have a morality plot. Sometimes the choice is one of selfishness at the expense of others, other times, it is selflessness at the expense of self. But the character’s moral fiber, their soul, is always on the line. Let’s look at how to write a temptation or morality plot.
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
Love stories appear everywhere in the films we watch, books we read, and shows we binge. From romance novels and romantic comedies to ninety percent of subplots and even family dramas, love stories are the most common type of story.
Which is all to say, if you want to be a creative writer, you probably need to learn how to write love stories.
In this guide, we’re going to explore love stories of all kinds, from the ones that end “happily ever after” to tragic love stories and even stories that don’t look like love stories but actually are. We’ll talk about the elements of love stories, their structure and arcs, the best love story examples to study, and finally how to actually write a love story of your own.
If you’ve ever told a good story—one that has your friends or family on the floor laughing, or else on the edge of their seat asking, “What happened next?!”—then you know that you can’t get to the point of the story too quickly.
Instead, you draw out interest. You talk about all the things that went wrong. You make jokes and accentuate the best details. When you’re done, it’s not the punchline people remember; it’s everything leading up to it.
The same is true when you’re writing a story, particularly in novels, memoirs, and screenplays. It’s called the Rising Action, and it’s essential to get it right IF you want to write entertaining, informative, and deeply connecting stories.
In this article, I’m going to talk about the rising action: what it is, how it works in a story, how it’s been treated by scholars who study story structure throughout history, and finally how you can use it to write a great story.
Characters are the heart of any story. There are plenty of methods out there to help your character development. But when it’s time to give your characters shape and definition, don’t waste time on extensive questionnaires that get you weighed down in details.
