by Joe Bunting |
Five act structure is a method of structuring a story that has existed for centuries. But does it work? And more importantly, will it work for your story?
In this article, we will learn the definition of the five act structure, explore its origins, look at popular examples, and talk about whether it’s actually useful as a story structure framework for readers and writers.
by J. D. Edwin |
Does the concept of “theme” confuse you? Do you have trouble writing a theme, or weaving a theme into your story?
If you said yes, you’re not alone. Lots of writers struggle to identify a theme in their book—and many don’t even know what thematic message the are communicating through their story until a second or later draft.
The good news is, there are writing tips you can use when weaving a thematic message (or two) into your story.
by Abigail Perry |
We’ve seen movies and read books. We know the protagonist when we see her. However, as I mentor and edit authors, I’ve had more and more writers ask me the big question: “Can you have multiple main characters in a story?”
Yes, you can. But should you?
by Joe Bunting |
Genre matters, and by understanding how genre works, you not only can find more things you want to read, you can also better understand what the writer (or publisher) is trying to do.
by Joe Bunting and Ruthanne Reid |
Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.
Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.
by Sue Weems and Joe Bunting |
If you have a main character whose crisis tempts them to veer outside of their values, then you likely have a morality plot. Sometimes the choice is one of selfishness at the expense of others, other times, it is selflessness at the expense of self. But the character’s moral fiber, their soul, is always on the line. Let’s look at how to write a temptation or morality plot.