by Guest Blogger |
Do you struggle with screenplay structure? Especially sustaining momentum in that long second act?
When learning how to write a script, writers are overwhelmingly taught that screenplay structure is all about three acts. The problem with this three act formula, however, is that it often leads to writers running out of steam in act two as they try to fill it with “conflict.” This means act two becomes a series of disconnected events that aren’t really connected and seem to exist just for the sake of “things happening.”
This happens when screenwriters focus too much on traditional three act structure and ignore the building blocks underneath each act—sequences.
by Jeff Elkins |
If you live in the United States, there is a good chance your television was tuned in to the Presidential debate on Sunday night.
Regardless of your politics, the conversation likely brought a cocktail of anxiety and frustration mixed with joy and elation. At one second you felt the warmth brought by the anticipation of victory and then, suddenly, the dull pain of possible defeat.
As writers, these are the emotions we want readers to experience when they engage in our stories. We want them to become as emotionally invested as they do with a political debate.
Today, rather than focusing on who won or lost the actual debate, let’s use what we watched as inspiration for our writing.
by Jeff Elkins |
I am addicted to novels I can’t put down, to TV shows I can’t just watch one episode of, to short stories I have to finish, and to movies that keep me guessing until the very end.
I love stories that grip me and demand my attention. I am on an unending hunt for them and for the suspense they make me feel.
As a writer, these are the types of stories I hope to create—stories that pull the reader to the edge of his seat and keep him there until the last page.
Let’s take a look at three tools you can use in your stories to build suspense and keep your readers engaged.
by Jeff Elkins |
Every year romance tops the list of the most widely read genres. From Edward and Bella to Harry and Sally to Romeo and Juliette, most of the greatest stories ever told have at their center two people discovering their feelings for one another.
We love tales of characters fighting to find a connection, but before we can flush out a fiery story filled with heat and tension, we need to understand what kind of spark our characters are experiencing.
I’ve experienced three different forms of romantic feeling: infatuation, lust, and love. Each is its own unique kind of fire. When we write romantic relationships between characters, it’s important we know which of these three types of burn they are experiencing.
by Ruthanne Reid |
People are complicated, and much of what makes us who we are is hidden beneath the surface. As we interact with different people, we reveal different layers of ourselves. The same is true of your character—they will express themselves differently depending on the people around them.
Who is your character when people are watching? Who is your character when they’re not?
by Jeff Elkins |
We know our characters must change. From the first word to the last, if our main character isn’t different, then we haven’t written a story people will connect with.
But writing believable character change can be hard. Change doesn’t just happen. It’s not enough to simply flip a switch and make our protagonists different from one scene to the next. Our characters need to evolve slowly.
In today’s post, I’m sharing a system of thinking that helps me build characters that experience believable and realistic change.
