A student once asked her English teacher, “What’s a metaphor?” and he replied, “It’s a big place to grow grass.”
I don’t think he understood the question.
We’ve grown with up the distinction between similes and metaphors, but in a technical sense, all comparisons are metaphors. But let’s stick to this separation of powers, and think about the problem with similes and why metaphors may be better for your writing.
I recently heard Horatio Spaford’s great song, “It is Well With My Soul”. I was moved, as I have been many times before. How is it that a song, a really old song, hasn’t gotten musty and useless over the years? Why do the words of others have the ability to touch our hearts so deeply?
Have you ever wondered how an author seems to be inside your head?
I looked up the story behind the song hoping to find some answers. And it turns out Spaford’s writing didn’t come out of a vacuum, but out of his own suffering. His experience can teach you how to powerfully connect your own suffering to the larger, human experience.
The top five slots on this week’s New York Times bestseller list (for combined hardcover and paperback fiction) include three books by E.L. James, one by Deborah Harkness, and another by James Patterson.
Oh, yes. Summertime beach reading is in full swing. But before you shame yourself for buying one of those guilty pleasures, try a different approach to reading. One that gives you license to read terrible books every now and then.
Allow me to speak from experience. Story time.
There are various elements that make up a great story—plot, story development, character growth, depth. All of these contribute to turning a good story into a great story. However, one more element that can spice up your story is a good action scene.
But how do you write a good action scene? Here are five tips to get you started:
Metaphor is a speeding train, pulling readers down the tracks of your story.
Simile, on the other hand, goes down easy like a glass of iced tea, but it’s forgettable like the canned lines in a greeting card.
Are you making full use of the power of metaphor in your writing? Or are you leaning on simile?
The Pulitzer Prize for fiction, as you probably know, was not awarded this year. The fiction panel nominated three books from a reading list of 300. (Can you imagine reading 300 books in a year?)
However, the Pulitzer board didn’t pick any of them. And we don’t know why. Were they not good enough? Were they not American enough? We don’t know. All we know is the Pulitzer Prize for fiction wasn’t awarded this year.
However, Michael Cunningham’s article on how the three Pulitzer nominees were chosen is a fascinating guide for how to angle for the Pulitzer.
If you want to win the Pulitzer, here’s how in five (not-so) easy steps…
