One of the best ways to writing a good descriptive piece is to think about the five senses. Sight is a commonly used one, as it’s usually the one we rely on most, but what about sound? What about touch or taste or smell? Here are three exercises you can use to explore the other senses.
I get it why they call it a heartbreak. It’s this deep feeling in your chest, something inexplicable. The pain isn’t sharp, or dull, the pain is tight. The pain is like a balloon, full of so much air, the rubber is stretched so tight—ready to burst. And then, the pain is fleeting.
Sometimes after people learn I’m a writer, they confess to me in private they have a book inside them. They dream about it and long to make that happen. I know others who talk a lot about writing. They post writerly quotes on social media, links to publishing articles and always know the latest industry buzz. Another set are voracious readers; they can discuss a variety of cool topics or brainstorm story ideas. They love the whole literary scene.
What all these folks share in common is…
I’ve discovered that no matter what so-called good writers say, if you want to write a good and commercial novel, there’s nothing more important than structure.
Here are four more crucial storytelling techniques I’ve learned from the fast and formulaic world of television.
Why are we here? I mean, have you really ever thought about it? Not in a passing way, like what you are going to get at the grocery store tonight, but in a deep earth-shattering way?
I have been thinking about it and I have this feeling that we aren’t hapless creations put on the earth to eat, talk, and die. I feel like we were put here for a purpose, to make it better. We are here to change the world.