Great characters feel real. They talk, act, and respond to stress in ways we recognize, with their own personal character voice. We can relate to them because they seem human.
To write a character that leaps off the page, we need to know her deeply. We need to understand her thoughts and feelings. If our audience is going to empathize with her, we have to first.
Characters are the heart of any story. There are plenty of methods out there to help your character development. But when it’s time to give your characters shape and definition, don’t waste time on extensive questionnaires that get you weighed down in details.
How do you create memorable characters? What’s characterization, and how does a writer turn a name on a page into a person so vivid and compelling that you imagine they’re real?
In this article, you’ll learn what characterization is, when it matters, and how to apply it to your characters and stories. You’ll also see some examples of characterization, and explanations of when not to prioritize characterization over other story elements.Â
Recall a time you made an effort to get someone to like you. Did you try to get them to relate to you, or want to spend more time with you? It’s kind of the same way with the main character in your book. Readers finish books when they care about what happens to the protagonist. To accomplish this, you need to craft a sympathetic character.Â
When you write a book, you’re asking readers to invite your character into their homes, their hangouts, their lives. It’s important to create a protagonist your reader wants to spend time with and that they care about enough to stick around to find out what happens to them.
Without that vital concern, suspense cannot be sustained. And without suspense, the reader will lose interest in your story. Â I talked about this in depth in my post on suspense.
Today, let’s talk about how to make your readers like—if not love—your characters so that you can sustain suspense in your book.
We’ve seen movies and read books. We know the protagonist when we see her. However, as I mentor and edit authors, I’ve had more and more writers ask me the big question: “Can you have multiple main characters in a story?”
Yes, you can. But should you?
Halloween is right around the corner and I know a lot of you will be writing some spine-chilling stories to celebrate. What’s the best part of a creepy story? A monster.
When writing monsters, you could rely on the tried-and-true vampires, zombies, and giant, man-killing spiders. There’s nothing wrong with adding to the monster canon, but it does get a little boring after a while. It’s often better to make up your own monster. But how?
Decades have been spent honing the standard wants and abilities of vampires and zombies. How can you make a monster just as good in a much shorter time frame?
