by Joslyn Chase |
Recall a time you made an effort to get someone to like you. Did you try to get them to relate to you, or want to spend more time with you? It’s kind of the same way with the main character in your book. Readers finish books when they care about what happens to the protagonist. To accomplish this, you need to craft a sympathetic character.
When you write a book, you’re asking readers to invite your character into their homes, their hangouts, their lives. It’s important to create a protagonist your reader wants to spend time with and that they care about enough to stick around to find out what happens to them.
Without that vital concern, suspense cannot be sustained. And without suspense, the reader will lose interest in your story. I talked about this in depth in my post on suspense.
Today, let’s talk about how to make your readers like—if not love—your characters so that you can sustain suspense in your book.
by Joe Bunting |
Characters are the heart of any story. There are plenty of methods out there to help your character development. But when it’s time to give your characters shape and definition, don’t waste time on extensive questionnaires that get you weighed down in details.
by Sarah Gribble |
You’ve probably heard this one before: Your character must change throughout the course of your story. Characters need to transform.
I see a lot of confusion over this concept. Writers can normally nail the change (weak to strong; bad to good; cynical to optimistic) but it often comes from a weird place that doesn’t sit quite right with what we know about the protagonist. Or it’s too big of a change (or too much of a “fairy tale ending”) to be believable.
Writers think that great characters need drastic changes, but this isn’t always the case.
Let’s take a look at how writers should deal with character change, and how creating a character arc might make for a more interesting cast and plot.
by Ruthanne Reid |
People are complicated. I know, that’s like saying, “Hey, fire is hot!” but when it comes to characterization, this needs to be said. Our tendency as authors is to stick imaginary people into tiny two-dimensional categories, forgetting that no human being fits into tiny two-dimensional categories.
One of the things that makes humans so confounded complicated is we are not logical.
by David Safford |
There are heroes everywhere. A great Hero’s Journey can take place in any genre. But did you know there are eight hero’s journey archetypes that work especially well for a universal protagonist?
Your reader will unconsciously expect your story to have certain characters. If you want your next heroic story to be a success, you’d be wise to plan the entire journey around these key characters. Or at the very least, with them.
Without these hero’s journey archetypes, you might have a story that fails to “work,” and this will leave the reader dissatisfied and confused.
To avoid this, let’s go over who these character archetypes are, and why they will push your hero on their journey.
by J. D. Edwin |
The choices your characters make within your story are shaped by their past, which means sometimes, you’ll need to communicate to your reader events that happened before your story began. Not sure how? Try memory or backstory to share the past in the present.
