Every great heroic story has that moment. It’s the deep breath before the plunge. The calm before the storm. The quiet before the calamity. In the Hero’s Journey, it’s the Approach before the Ordeal.
It’s an essential moment you need to plan for and build around as you draft your story. And to do it right, you’re going to need to figure out three key elements.
Dialogue can make your story. In fact, as Shakespeare knew, you can tell a whole story just through authentic dialogue.
Good stories are about real people, and people in real life love to talk to each other. We are biologically disposed to receive pleasure from conversation.
If you want to write good stories, learn how to write effective dialogue. In this article, you can learn sixteen dialogue tips that will help you take everyday conversations and turn them into stretches of dialogue that benefit your story.
If you’re lucky enough to be asked to speak at a commencement ceremony, at any level, you know the pressure of writing a memorable speech with broad appeal that fits within the time constraints. But how to write a graduation speech that doesn’t bore, drag, or flop? Here’s a secret: use your storytelling skills to write a great graduation speech.
Last week, I overheard a conversation at a neighboring table where a woman said, “He’s always trying to prove himself. It makes him look less competent than he is.” I didn’t know the parties involved, but I grabbed a napkin and jotted it down. When I added it to my notebook, I realized characters with something to prove often undermine their own success. And those insecurities make for an amazing writing prompt.
As a writer, you know building a foundation for your story, like a hook and sympathetic character, will allow you to grab readers right out of the starting gate. But once you’ve done this, do you know how to raise the stakes?
While a high stakes beginning grabs readers, it will only excite you and your reader for a few scenes. Without elevating stakes, your reader’s excitement about the plot will wear off if nothing bigger happens. Any interest in your story as a whole will flatten.
It’s human nature. We become inured. But you can avoid this happening by making the path of your book less like that flatland racetrack, and more like a jagged mountain range. With ups, downs, and an overall rise to the finish.
In this article, the word of the day is “stakes.”
As your story’s conflict progresses, the risks to your main character must intensify, keeping the reader invested in turning pages to find out what happens. Once you’ve laid the foundation for high suspense and captured your reader’s attention, you need to up the ante. Similar to the stakes of a hand of poker.
Finding ways to do this is not always easy, but when you put forth the effort, the results can be spectacular!
And there are practical strategies and tips you can use to do this.
Without the White Witch, Aslan is just a recluse lion. Without Moriarty, Sherlock is just a know-it-all in a weird hat. Without the Joker, Batman is just a rich dude with anger issues and too much time on his hands.
Our villains make our heroes. Without them, our heroes can’t shine. That’s why it’s important to give our villains scenes where they can wow us with their quirks and scare us with their ferocity.
