Horror is a genre of literature or film that wants to evoke fear, shock, and suspense. Characters battle for their life versus a fate worse than death.
What makes a good horror story is the ability to tap into our deepest fears and deliver them in a captivating way. Even if you don’t consider yourself a horror writer, practicing a few short stories in this genre can help you understand human fear and the way it motivates action.
Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.
Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.
Finishing a first draft is a huge deal. If you just accomplished this, be proud of yourself! At the same time, you might be wondering how to revise a novel after that first draft is done. There’s a lot of advice out there. Which do you listen to?
The revision process doesn’t have to be complicated. However, you might feel—especially if this is your first completed draft ever—intimidated to edit your book. There’s a lot of words and scenes to review. Where do you begin?
In this article, I’d like to share how I took a daunting editing process and created a simplified, concise, and clear strategy to revising your first draft. I do this with what I call a Revision List—a table with five columns that can help you simplify big ideas.
If you’re like me, you won’t ever want to edit a first draft without it!
Most great stories, whether they are a Pixar film or a novel by your favorite author, follow a certain dramatic structure.
When you’re getting started with writing, understanding how the structure works is difficult. Even if you go back and analyze your favorite books and films, it can still be hard to structure your own stories. That’s where Freytag’s Pyramid can help.
In this story type, the hero and their comrades are attempting to thwart death in the face of an overwhelming physical obstacle, usually in the form of a figure of nature.
This isn’t to say that an adventure story can’t have a villain. However, the primary threats will always come in physical form, forcing the characters to dig deep and find the strength and resolve to endure.
Stories are complicated, twisty, multi-faceted things. At some point, in many of the best stories, it feels like everything is in complete chaos, and then, seemingly all at once, it’s as if the chaos has come to a head in a way that makes everything line up perfectly.
And one of the best tools in a writer’s tool belt is the subplot.
But what is a subplot? How can you spot it in the books and stories you love most? And if you’re a writer, how do you use it to tell better stories?
In this article, I’m sharing everything you need to know about subplots. I’ll start with the definition of the literary term, then show you how it fits into a story structure, examples of some of my favorite subplots, and even tips from my own experience on writing novels with subplots.
