World Building 101
If you write fiction, you need world building. It’s the skeleton of your story: though unseen, those bones determine the shape of the beast.
Denouement: Definition and Examples of the Literary Term
How do good stories end? In tragedy or triumph? With a wedding or a funeral?
That is the question of the denouement, a literary term that means more than just “the end.”
This article is all about denouement. In it, we will talk about the origin and definition of the literary term, give examples, and talk about where it fits in your writing.
How To Write A Suspense Novel
So you want to know how to write a suspense novel. I could tease you with this, play out the line, dangle the carrot tantalizingly in front of you. But I won’t.
I’ll just tell you outright that suspense is my baby, my favorite of all the genres. If you’ve ever experienced those delicious moments as a reader, when your heart is slamming around in your chest, your palms are sweaty, and you can’t turn the pages fast enough, you’ll know what I mean by suspense.
Climax of a Story: Definition, Examples, and Writing Tips
How do you tell a great story? Perhaps the best way to judge a story is by how good the climax is.
If your story isn’t good, the climax will be muddled or boring. A good story, though, will bring together all the tension that has been building since the exposition into one perfect scene that overwhelms the audience and leaves them in awe.
What is the climax, though? And how do you write a good one?
How to Write a Morality Story
If you have a main character whose crisis tempts them to veer outside of their values, then you likely have a morality plot. Sometimes the choice is one of selfishness at the expense of others, other times, it is selflessness at the expense of self. But the character’s moral fiber, their soul, is always on the line. Let’s look at how to write a temptation or morality plot.
Literary Crisis: Why a Dilemma Will Make Your GOOD Story GREAT
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
