How do you want a story to end? Should it have a fairy tale ending? A hopeful ending? Or do you like stories with more realistic endings—even if the protagonist doesn’t come out ahead and the villain doesn’t get his?
Creating a novel series—such as the Harry Potter, Dune, The Wheel of Time, or even Border Trilogy series—is one of the best ways to build continuous momentum with your book marketing efforts. It’s also a unique experience and can open up life opportunities you may never have had otherwise.
However, creating a novel series can also take years if not decades of effort. How do you even get started?
The following are my top five tips for creating a must-read fiction series.
When you get up and get dressed for the day, why do you pick out the clothes that you do? Are you looking for comfortable clothes to fully enjoy your lazy Saturday? Are you attempting to look professional in your work uniform? Maybe you never even change out of your pajamas.
Showing what your characters are wearing can be a great way to show your readers what they might be up to that day without having to actually narrate anything.
Here are five examples….
“Curse Your Sudden Yet Inevitable Betrayal!”
Sometimes the characters that we think are good guys turn out to be bad guys. How do you create believable traitors?
In The Lord Of The Rings, Saruman was Gandolf’s friend and mentor, the wizard that he trusted most. In The Empire Strikes Back, Han Solo turns to his old friend Lando Calrissian.
Many dramatic scenes in fiction begin when the hero realizes too late that a trusted friend is actually working for the other side. As writers, we create all kinds of characters, good guys, bad guys, innocent bystanders. Creating characters that end up turning on their friends, however, has some particular challenges.
On the recommendation of a coworker, I started reading Ken Follett’s Century Trilogy. The books are apparently known for Follett’s meticulous historical research, but when I first opened Fall of Giants, I was wondering why no one had warned me about the seven-page list of characters.
Seven. Pages. Of character names.
What’s the most important element in a piece of writing? Is it the plot, the characters, descriptions, dialogue, or the style? Obviously, you can’t single out only one. A powerful work succeeds in combining all of them in a unique mix producing a master creation.
A mundane theme can be saved by a great writing style; poor dialogue can be replaced with a fantastic storyline, and descriptions can be skipped altogether if it’s not your cup of tea. Undeveloped characters, however, are not to be hidden or overlooked by anything else. So, how do you build a strong character?
