Every character needs a memorable name. Your character could have the most interesting personality, the most incredible predicament, and could be forgotten if his name is Bob Smith. You need the perfect mixture of unique and believable.
No ideas? That’s okay. Here are five ways to pick out the perfect name.
Foreshadowing is common enough in storytelling: the burning scar of Harry Potter, Peeta Mellark’s ability to frost cakes, all the hand motifs in Arrested Development, everything in LOST. A well-placed note of foreshadowing can come back to the reader as a smack on the head or a revelatory twist ending. One of the most well-known foreshadowing techniques gets its name from the playwright Anton Chekhov. He famously said that if there is a rifle onstage in the first act, then it absolutely must go off in the second or third act. If it’s not going to go off, it’s got no business being present.
This object, skill, or other source of foreshadowing is referred to as Chekhov’s gun.
Many of our favorite stories have an item that our heroes are attempting to retrieve. Sometimes that item has significance to the plot, like in Raiders of the Lost Ark, where the titular lost ark ends up getting Indiana Jones out of a precarious situation. And sometimes the item is just an item that the heroes need to find because, well, something needs to run the plot of this thing.
In that case, the item is called a MacGuffin.
Can contemporary, realistic fiction mix with fantasy?
The quick answer is: Of course! But the more difficult question may be: How?
How does one create a balance between realistic cities and settings verses making up a new and interesting world? Between believable and likeable characters verses amazing, heroic personas?
Are these elements mutually exclusive?
If you want to learn how to be a super hero, you need an alter ego, but alter egos are everywhere, not just among those with super powers. The protagonist in your novel, whether super or not so much, can have an alter ego, too. In fact, alter egos are a great characterization strategy.
One of my roommates and I started watching Downton Abbey last week, and within four evenings had finished the first two seasons and are almost all caught up. It’s a really engrossing show, for those of you who haven’t seen it, and Maggie Smith is a treasure (and a Golden Globe winner).
However, between the two of us, we were able to predict a fair number of the plot twists. It’s no fault of Downton’s writers, to be sure. When you consume pop culture, whether it be in the form of books, TV, music, or film, you’re bound to catch on to patterns in the storytelling.
